Posts Tagged ‘1938’

The Kid from Sudlersville

Tuesday, May 9th, 2017

In a Hall of Fame Strat-O-Matic matchup between the Boston Red Sox and the American League, the former prevailed 10-3.  The lineups were:

American League

Tony Lazzeri (2b)

Larry Doby (CF)

Al Simmons (LF)

Hank Greenberg (1B)

Reggie Jackson (RF)

Harmon Killebrew (3B)

Lou Boudreau (SS)

Mickey Cochrane (C)

Bob Feller (P)

Boston Red Sox

Bobby Doerr (2B)

Carlton Fisk (C)

Jimmie Foxx (1B)

Babe Ruth (LF)

Wade Boggs (3B)

Carl Yastrzemski (CF)

Harry Hooper (RF)

Joe Cronin (SS)

Lefty Grove (P)

Jimmie Foxx slugged Bob Feller’s pitching in this simulation, notching three home runs and six RBI:

  • 1st inning:  Solo home run
  • 3rd inning:  Three-run home run (Doerr and Fisk on base—each singled)
  • 7th inning:  Two-run home run (Fisk on base—single)

Foxx also walked in the 5th inning and scored on Babe Ruth’s two-run home run; he singled in the 8th but got stranded when Ruth struck out to end the inning.  The other runs for the Red Sox Hall of Famers came from:

  • 4th inning:  Carl Yastrzemski solo home run
  • 7th inning:  Babe Ruth solo home run

Inducted into the Baseball Hall of Fame in 1951, Foxx began his career with the Philadelphia A’s in 1925.  Helmed by Connie Mack for the first half of the 20th century, the A’s won the World Series in 1929 and 1930.  A third consecutive World Series championship was not to be—the A’s lost to the Cardinals in 1931.

Foxx won back-to-back MVP awards in 1932 and 1933; a third MVP award came in 1938.

It was a nearly unanimous tally for the first award—voters at the Baseball Writers’ Association of American gave him 75 out of 80 possible points; Lou Gehrig had the next highest total—55 points.  1932 was the year that Foxx scored 58 dingers, just two shy of Babe Ruth’s single season record of 60.

On November 2, 1938, Foxx became the first player to win the MVP three times.  Now with the Boston Red Sox, Foxx surprised the baseball world with his ascent.  Associated Press noted that the slugger “made a gallant comeback after being considered on the downward trail a year ago, and bothered all this year by a sinus infection.”

In his MVP seasons, Foxx led the major leagues in several offensive categories:

  • Home runs (except for 1938)
  • RBI
  • Slugging percentage
  • On-Base + Slugging percentage
  • Total Bases

Foxx led the American League in batting average in 1933 and 1938; his 50 home runs trailed Hank Greenberg’s 58 in 1938.  When Foxx’s career ended in 1945, staggering numbers joined the annals of baseball’s greatest players—534 home runs, .325 batting average, .609 slugging percentage.

Foxx biographer W. Harrison Daniel, in his 1996 book Jimmie Foxx:  The Life and Times of a Baseball Hall of Fame, 1907-1967, notes that 1938 presented a turning point for the farm-raised ballplayer from Sudlersville, Maryland—a rural town with a population that has hovered around the 500 mark for the past 100 years.

Citing a title search at the Sudlersville Memorial Library, Daniel wrote, “Although 1938 was a memorable year in Foxx’s career, it was also the year that he abandoned any interest in returning to the farm.  Ten years earlier Jimmie had made a down payment on a farm near Sudlersville and he was quoted as saying this was an investment for the future and that he hoped to retire to the farm after his playing days.  It appears that Foxx’s parents lived on the farm until around 1938, when they moved into a house in the village of Sudlersville which they had purchased in 1925 and formerly rented out.  Jimmie’s farm, in 1938, had a mortgage of $7,000.00 which he had not paid off.  In this year the mortgage was paid and the property was transferred to J.C. Jones on June 8, 1938.”

Upon Foxx’s election to the Hall of Fame in 1951, Boston Globe sportswriter Harold Kaese noted the slugger’s urbanity off the field.  “Foxx was a gentleman all right, even though he was raised on a farm and good-naturedly squirted tobacco juice on the shoes of his friends when they walked into the dugout,” wrote Kaese.  “I know he was a gentleman because as the Red Sox broke training camp one Spring, and headed for Boston, he said, ‘I’ll be glad to get out of the South.  You can’t even get a decent manicure down here.'”

On January 13, 1967, Foxx received the Maryland Professional Baseball Players Association’s Sultan of Swat Crown retroactively at the annual Tops in Sports banquet in Baltimore for Outstanding Batting Achievement.  Illness forced Foxx to accept the award in absentia; former Orioles manager and former Foxx teammate Jimmy Dykes accepted on his behalf.  Frank Robinson, a key cog in the Orioles’ machine that brought down the Dodgers in a four-game sweep of the previous year’s World Series received the Sultan of Swat Crown for 1966 and fellow Maryland native Lefty Grove also received an award at the event.  Foxx passed away six months later.

Today, Foxx’s Sultan of Swat Crown sits in Sudlersville Memorial Library as a testament to the farm boy who became a baseball superstar but never forgot where he came from.  Generations of Sudlersville families remain in town, offering continuity of community—if a Sudlersvillean goes to the library, the grocery store, or the bank, he or she is likely to triple the time allotted for the task because conversations, serious and casual, will commence.  In a town where everybody knows everybody else, gossip is not the watchword.  Rather, the verbal exchanges ignite the thoughtful question “How can I help?” rather than the judgmental statement “That’s too bad.”

If a trek occurs near the intersection of Main Street and Church Street, the conversation may include the topic of baseball, specifically, the man embodied by the statue there.  It’s a pose of a baseball player after one of his mighty right-handed swings—the one who decimated American League pitching, became a baseball hero to Philadelphians and Bostonians, and inspired the character Jimmy Dugan, played by Tom Hanks, in A League of Their Own.

James Emory Foxx.

A version of this article appeared on www.thesportspost.com on February 4, 2017.

Monty Stratton, Jimmy Stewart, and Hollywood

Saturday, January 7th, 2017

When The Stratton Story premiered in 1949, movie audiences without even a tangential interest in baseball became engrossed in the story of a champion whose determination serves as a model of courage.  Monty Stratton played a key role on the pitching staff of the Chicago White Sox during his brief major league career in the 1930s, but win-loss records cannot measure his contribution to baseball.  After a hunting accident led to a leg amputation, Stratton emerged from physical, emotional, and mental horrors; it was a stunning comeback.

On November 27, 1938, Stratton injured himself while hunting for rabbits on his mother’s farm, close to Greenville, Texas.  Associated Press reported that Stratton’s pistol discharged accidentally, sending a bullet into his right leg.  It severed an artery, necessitating the amputation.  Consequently, the White Sox organization presented an opportunity for lifetime employment.  Team President J. Louis Comiskey said, “Monty as a job with us as long as he wants it.  He was a fine pitcher and is a finer man.  Baseball can’t afford to lose him.”  A benefit Cubs-White Sox game raised money for the Stratton family.

Already familiar with teary subject matter in a baseball setting from directing the Lou Gehrig biopic Pride of the Yankees, Sam Wood helmed The Stratton Story.  Starring Jimmy Stewart in the title role and June Allyson as Stratton’s wife, Ethel, the movie received acclaim for its portrayal of Monty Stratton’s seemingly impossible rebound to the baseball diamond after the accident deflates his spirit, dimming a once shining career to darkness.  Stratton’s promise evidences early in the movie, when baseball scout Barney Wile tells Stratton’s mother, “He can transform a baseball into a streak of gray lightning and curve it in like it was weaving through traffic.”  Frank Morgan played Wile and Agnes Moorehead played Mrs. Stratton.

AP’s April 15, 1939 story “Stratton, Coach, Is Hopeful of Pitching Again” cited the hurler’s insistence on returning to baseball.  “It will take time, because I’ve got to learn pitching from the mound all over again,” declared Stratton, who reached his goal in 1946 with an 18-8 record with the Sherman Twins.  He played in the minor leagues sporadically between 1947 and 1950, never in more than four games each season.  Appropriately, his last team was the Greenville Majors.

The Stratton Story hit movie theaters during Monty Stratton’s comeback, making it current in addition to poignant.  With the All-American Stewart and Allyson in the starring roles, the movie generated mainstream appeal for filmgoers neither knowledgeable about nor interested in the National Pastime.  It is, after all, a story based on overcoming adversity, a universal plight.  Therefore, it is a familiar story, even if baseball specifics are mysterious to the audience.

Los Angeles Times sports columnist Braves Dyer praised, “Jimmy Stewart, as always, does a superb job and actually looks and acts like a baseball player, which he isn’t.”  In the New York Herald Tribune, Howard Barnes’s review of Stewart paralleled Dyer’s.  “Thanks to his engaging and artful performance, a sentimental and inspirational screen biography has more than a little power,” wrote Barnes.

In the Washington Post, movie critic Richard L. Coe addressed the story’s emotional impact:  “Jimmy Stewart plays him with his adroitly winning style, and you’ll admire the way both writers and Director Sam Wood have managed the sentiment without wallowing in it.”  Hollywood gossip columnist Hedda Hopper similarly lauded the direction:  “Sam Wood steered it away from the saccharine morass into which it could have fallen.”

Legendary sports writer Red Smith opined, “As viewed by a sentimentalist who can still weep over practically any page of ‘Little Women,’ it is a solid tear-jerker effectively performed by James Stewart and June Allyson, which commits no outrages when it deals with technical baseball.”  Barnes agreed regarding the representation of baseball details.  “Since the script by Douglas Morrow and Guy Trosper has some good pungent talk of the kind that might be expected from big leaguers, and Sam Wood’s direction is resourceful, the work should appeal to payment as well as ardent baseball fans,” wrote Barnes.

Stratton approved of Stewart’s portrayal.  In a “Special to the Herald Tribune,” Stratton recounted, “He was our first choice—my wife’s and mine—when we first heard about the picture.  But we really didn’t expect Hollywood to see it the same as us.”

To research Stratton’s amazing tale, Douglas Morrow, co-writer of the screenplay, ventured to Greenville, Texas.  In a scene reflecting a real-life incident, Stratton practices pitching with Ethel.  “Slowly, imperceptibly, he was developing a pitching technique,” wrote Morrow in “Standing On Top Of The World,” an article in the June 12, 1949 edition of the Los Angeles Times.  “So gradual was it that neither Monty nor Ethel realized that he had regained much of his former speed.  That is, not until he whipped a fast ball through one day that boomed into Ethel’s mitt and bowled her back on her seat.  With swollen hands and a bruised rear end.  Ethel beat a strategic retreat and Monty began pitching against the barn wall with his four-year-old son, Monty Jr., and his dog, Happy, retrieving the balls.”

A version of this article appeared on www.thesportspost.com on November 2, 2015.

Martín Dihigo Is the Best Baseball Player You Never Heard Of

Monday, June 25th, 2012

Keeping the flame of baseball history alive requires more than reading books, writing articles, and watching documentaries about well-known players, including Babe Ruth, Jackie Robinson, Mickey Mantle, Hank Aaron, Ty Cobb, Roberto Clemente, Lou Gehrig. For the flame to burn steadily, other players in the shadows cast by the spotlight must be recognized.

Such is the purpose of today’s missive.

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