Posts Tagged ‘Jake Taylor’

Bowling, Tim Matheson, and “Dreamer”

Sunday, May 14th, 2017

“You just dream about something, that’s all it’s ever gonna be.  Just a dream.”

So says Harold Nuttingham in the 1979 film Dreamer, a post-Watergate, feel-good movie with a down-to-earth vibe.

Nottingham dreams of being a bowling champion—hence, his nickname “Dreamer”—but he can’t even get a PBA membership until he storms an executive meeting, proves his credentials, and demands inclusion in bowling’s upper echelon.  His statement about dreams targets father figure Harry White, a former PBA bowler who never quite reached the level of excellence that Dreamer envisions—and is capable of achieving.  Dreamer’s words nudge Harry towards buying an option for them on an 18-lane establishment with a coffee shop and a bar in Peoria.

Dreamer’s car broke down in Alton, Illinois two years before, creating an opportunity for him to work at the Bowl Haven, where he practices his game; Harry runs the pro shop.  Repairing the bowling racks is among Dreamer’s duties.  Tragically, Harry dies of a heart attack late at night, while bowling; he had a heart condition, so the news is not surprising to Dreamer.

Tim Matheson plays Dreamer, Jack Warden plays Harry, and Susan Blakely plays Dreamer’s girlfriend—Karen Lee, who also works at the bowling alley, as a cashier.  “Debra Winger rocked her audition, but the studio decided on Susan,” explains Matheson.

Bowling icon Dick Weber plays Johnny Watkin, Dreamer’s opponent in the film’s climactic match.  Matheson reveals, “Dick Weber was instrumental in helping me with my bowling.  He showed me ways to patch up my thumb until my calluses healed.  We also worked on creating a style that was interesting visually and looked real.

“I was in a bowling league in Burbank.  At the Grand Central Bowl in Glendale, I kept score for bowlers.  You could make 10 bucks a night, which was a decent amount of money.  So, I was very comfortable in that world.  For the movie, we bowled in an old alley in St. Louis.  I averaged around 165-170.  My highest was 199.  One day, we’re shooting a sequence and I’m keeping score consecutively with the takes.  My score was 224.

“Dick told us about the tricks that bowlers used.  They soaked balls in solvent that would soften the ball, so when you went to the tournament, it would react with more torque.  If you threw a ball with spin, it spun more.  Now, there are rules preventing this from happening.

“Jack Warden was one of the great storytellers of all time.  He told us that he auditioned for John Houseman, who was directing King Lear.  He was just beginning acting, but he had a blue-collar job during the day.  He didn’t have time to change for the audition, so he went in his coveralls.  Houseman said, ‘What part do you think you’ll audition for?’  Jack responded, ‘How about this Lear guy?’

“He was full of bravado and always gave advice if you asked about a scene.  He was a great acting coach, just gold.  He was a gem.  Susan was such a pro.  So wonderful to work with.  Sexy and intense and all the good things you’ll hope for in a partner that you play so many scenes with.”

It is convenient to compare Dreamer to Rocky, which premiered during the Christmas season of 1976; the elements are there—underdog taking on the champion, mentor tutoring the underdog, love interest.  This would, however, overlook the density of emotional resonance that Rocky evoked.  Where Rocky Balboa wanted to go the distance with Apollo Creed because no fighter had accomplished that seemingly impossible task, Dreamer has unwavering confidence that he belongs in the pantheon of bowling champions, if only he gets the opportunity to prove it.

Typical for Hollywood, Dreamer concludes with the upstart winning in dramatic fashion, dethroning Watkin by one pin in the 10th frame for a final score of 245-244.  Dreamer may not have had the edge of The HustlerRocky, or The Sporting Life, but it follows the template for Hollywood’s sports films.  We want the underdog to win because they remind us of ourselves.  Who wouldn’t rather play for the Miami Sharks rather than the Dallas Knights in Any Given Sunday?  Who wouldn’t rather play with Rick “Wild Thing” Vaughn, Jake Taylor, and Roger Dorn on the Cleveland Indians rather than the New York Yankees in Major League?  These types of films fulfill the need to hope, allowing us to live vicariously, whether the hero is a bowler, a rugby player, or a major league pitcher.

To the extent that Dreamer has a villain, it’s the PBA, which looks askance, at least initially, at Dreamer’s qualifications.  Though not explored in depth, the confrontation between Dreamer and the PBA’s powers that be, including Watkin, represents a frustration at bureaucracy that was felt 100 years before Dreamer hit movie theaters and will be evident 100 years hence, in whatever medium audiences use to consume visual entertainment.

After the climactic game between Dreamer and Watkin, the last shot of the film shows Dreamer and Karen Lee packing up their car and listing their itinerary of bowling tournaments.  As they pull away, we see that the building behind them is the Harry White Memorial Bowl.

Taking Matheson’s portrayal of Eric “Otter” Stratton of Animal House as the archetype of a slightly arrogant character brimming with confidence, one can find levels of that personality in several of his subsequent roles, including:

  • Larry Sizemore (Burn Notice)
  • Al Donnelly (Black Sheep)
  • John Hoynes (The West Wing)
  • Harry Stadlin (Just in Time)
  • Alan Stanwyk (Fletch)

Alan Stanwyk is devious when he sets up Fletch to be the dead body in a burning car, thereby allowing him to escape to South America undetected.  John Hoynes is a political manipulator along the lines of LBJ—a Senate Majority Leader from Texas who lost the Democratic nomination to an underdog from New England and settled, uncomfortably, for being Vice President.

And yet, there is an underlying likability to these characters—they do not, in any way, exude nastiness.  Dreamer, neither, though his single-mindedness about pursuing a professional bowling career excludes Karen Lee, whom he considers to be a distraction during competitions.  This, of course, is reconciled after Harry’s death, which prompts Dreamer to realize that Karen Lee is not an appendage to his career, but a necessity to his life.

The Bowl Haven still stands today, a 24-lane escape for Altonians looking to knock down some pins.  Those of a certain age may remember the summer of 1978, when the Bowl Haven closed down for shooting.   Once owned by the Netzhammer family and built in the late 1950s, the Bowl Haven enjoys continuity to the past with Bill Netzhammer, the original owners’ son, managing the lanes that Dreamer once practiced upon.

A version of this article appeared on www.thesportspost.com on March 4, 2017.

Indians, Red Sox, and the 1948 American League Playoff

Wednesday, March 8th, 2017

Cleveland’s baseball curriculum vitae has many bright points.  Examples include Bob Feller hurling three no-hitters, Larry Doby breaking the color line in the American League, and Quincy Trouppe leading the Buckeyes to a Negro League World Series championship in 1945.

There is also, of course, the fictional Indians team led by Rick Vaughn, Jake Taylor, and Pedro Cerrano in the 1989 film Major League.  This squad won the American League Eastern Division in a one-game playoff against the Yankees; it lost the league championship, a fact that occurred off-screen—audiences found out in Major League II, which depicted the captains of the Cuyahoga exorcising the previous season’s ghosts by winning the AL championship against the Chicago White Sox.

In 1948, under the leadership of player-manager Lou Boudreau, the Indians brought a World Series title to northeast Ohio.  But the road to victory had more curves than the Cuyahoga River.

An aura of anxiety covered Cleveland on the evening of September 24th, like the fog at the beginning of Dickens’s novel Bleak House—the Indians, the Yankees, and the Red Sox stood atop the American League in a triple tie.  Bostonians, meanwhile, savored the possibility of an all-Beantown World Series between the Red Dox and the Braves when the latter clinched the National League title on September 26th, thanks to a three-run blast by Bob Elliott agains the New York Giants in the first inning.  It was a sufficient cushion for a 3-2 victory; the win gave the Braves a National League pennant for the first time since the “Miracle Braves” accomplished the feat in 1914.

At the end of the season, the Indians and the Red Sox shared the top spot in the American League; the Yankees trailed by two games.  A one-game playoff at Fenway Park determined which team would represent the league in the World Series against the Braves.  On the morning of October 4th, the date of the playoff, Harold Kaese of the Boston Daily Globe acknowledged the emotional impact of the pennant race.  “When today’s game is played, this town figures to be flat on its back from nervous exhaustion,” wrote Kaese.  “Before the patient recovers enough to take sports nourishment, the entire football season is likely to have passed unnoticed and The Country Club curlers will be getting ready for the Stockton Cup bonspiel.”

Gene Bearden, a rookie hurler, held back the Red Sox in an 8-3 victory for the Indians.  A 20-7 pitcher with a league-leading 2.43 ERA in 1948, Bearden struck out six, walked five, and allowed five hit in the triumph for the Tribe.  Boudreau had a career day—four-for-four with two RBI, three runs scored, and a walk; two hits were home runs.

Indians third baseman Ken Keltner knocked in three runs, scored one run, and went three-for-five.  Center fielder Larry Doby had a two-for-five day with one run scored.

The 1948 World Series between the Indians and the Braves culminated with the crown going to the former in six games.  Boudreau tipped his cap to Bearden, who won one game in the series and saved the sixth and deciding game.  “It was his series all the way,” declared Boudreau in Clif Keane’s account for the Globe.  “That’s all I can say.  It was his year.  Don’t give me any credit.  It was Bearden.”

Kaese, meanwhile, urged Red Sox rooters to avoid disgust, dismay, and disappointment, particularly if those emotions targeted utility player Sibby Sisti, who bunted into a double play to end the series.  “Think not unkindly” was Kaese’s repeated admonition.  For succor, Kaese pointed out deficits automatically placing the Red Sox at a disadvantage.  Plus, the Red Sox matched or surpassed the Indians in some areas.

“The Indians had to play National League ball to beat the Braves,” rationalized Kaese.  “They won because the had three excellent pitchers, whereas the Braves had only two—John Sain and Warren Spahn.  They won because they were a little sharper in the field, a little more timely at bat.

“The Braves scored as many runs (17) as the Indians.  They out-hit the Indians (.231 to .199).  They out-slugged the Indians (61 total bases to 57).”

A version of this article appeared on www.thesportspost.com on March 12, 2016.

The Year the Indians Won the Pennant

Friday, March 27th, 2015

RemingtonMajor League thrilled movie audiences in 1989 with its classic underdog theme.  Focusing on a fictional version of the Cleveland Indians, Major League starred Charlie Sheen as rookie pitching sensation Rick “Wild Thing” Vaughn, Tom Berenger as veteran catcher Jake Taylor, Corbin Bernsen as selfish third baseman Roger Dorn, and Wesley Snipes as rookie speedster Willie Mays Hayes.

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