Posts Tagged ‘Julie Newmar’

Batman, Baseball, and 1966

Wednesday, April 5th, 2017

1966 was the year of the superhero, thanks to Batman.  After the camp version premiered on ABC in January, starring Adam West in the title role, Batman triggered a fascination that inspired a slew of iconic guest villains:

  • Cesar Romero as the Joker
  • Burgess Meredith as the Penguin
  • Julie Newmar and Eartha Kitt as the Catwoman
  • Milton Berle as Louie the Lilac
  • Frank Gorshin and John Astin as the Riddler
  • Victor Buono as King Tut
  • Vincent Price as Egghead

Several others appeared in Gotham City’s Rogues Gallery.

Batman‘s format was simple.  A villain terrorizes Gotham City, igniting frustration of Police Commissioner Gordon and Police Chief O’Hara.  They call Batman on a secret telephone line which, unbeknownst to them, connects to a telephone at stately Wayne Manor, home of millionaire Bruce Wayne and his ward, Dick Grayson.  Batman and Robin.  The Dynamic Duo.  The Caped Crusaders.

Typically, Alfred Pennyworth, Wayne’s butler, answers the telephone and slyly tells his employer about the urgent call without revealing the identity of the caller.  This, so other people in the room, for example, Wayne’s Aunt Harriet, do not learn of Wayne’s alter ego.

Neil Hamilton played Gordon; Stafford Repp played O’Hara; and Burt Ward played Grayson/Robin.

On June 25, 1966, Batman and the Riddler went to New York City, Gotham City’s real-life counterpart; Adam West and Frank Gorshin reprised their roles for a “Batman Concert” in front of approximately 3,000 fans at Shea Stadium, home of the New York Mets.  Seven rock and roll groups were also on the bill.

When Batman showed up, “the 3,000 sounded like 30,000 now—as Batman circled the field in a Cadillac (the Batmobile was in for repairs, no doubt,” wrote Robert Sherman in the New York Times.

Gorshin took aim at the Mets’ woeful play.  One example pointed out by Sherman:  “Why are the Mets like my mother-in-law’s biscuits?  They both need a better batter.”

Batman‘s success led to a slew of superheroes.  CBS labeled its Saturday morning cartoon block Super Saturday for the 1966-67 television season; shows included UnderdogSpace Ghost, and The New Adventures of Superman.

Though it set off a trend, Batman faded in appeal almost as quick as it catapulted to the throne of the popular culture kingdom.  ABC canceled the show after its third season.  A film version premiered in the summer of 1966.  Lee Meriwether played Catwoman.  West, Ward, Romero, Meredith, and Gorshin reprised their roles.

Managed by Wes Westrum, the Mets compiled a 66-95 record in 1966.  It was, in a sense, a breakthrough season—1966 was the first year that the Mets did not lose 100 or more games.  The barons of blue and orange finished in 9th place in the National League, 28 1/2 games behind the Los Angeles Dodgers, who got swept by the Baltimore Orioles in the ’66 World Series.  Additionally, three teams débuted new stadiums in 1966:

  • Atlanta Stadium (Braves)
  • Anaheim Stadium (Angels)
  • Busch Memorial Stadium (Cardinals)

Though the Mets finished 9th, it notched 2nd place in attendance for the Senior Circuit—1,932,693 of the Flushing Faithful went to Shea Stadium in 1966.

Loyalty abounds for the Mets, no matter the tally on the scoreboard.

A version of this article appeared on www.thesportspost.com on June 25, 2016.

The Great Holdout of 1966

Tuesday, March 14th, 2017

In March of 1966, Bobby Hull set an NHL scoring record for a single season, Gemini 8 brought NASA one giant leap closer to a manned moon landing by completing the first docking with another space craft, and Julie Newmar set hearts of males from eight to eighty beating faster when she débuted as Catwoman in a skintight outfit on Batman.

For Dodger fans, however, there was not much to cheer about.  Sandy Koufax and Don Drysdale had a standoff against Walter O’Malley and Buzzie Bavasi—the Dodgers’ owner and general manager, respectively—just a few months after the Dodgers won the 1965 World Series in seven games against the Minnesota Twins; Drysdale had a 1-1 record in the series while Koufax went 2-1 and won the seventh game.

Drysdale and Koufax negotiated as a team, arguing that their combined 49 wins of the team’s 97 in 1965 warranted a boost in salaries; Koufax led the major leagues with 26 victories.

Prospects looked dire on the morning of March 30th.  Readers of the Los Angeles Times got a jolt when they read an article titled “Koufax, Drysdale reject $210,000 by Charles Maher and Frank Finch.  It quoted O’Malley:  “While I am sorry the incident is closed, I am pleased that it is ending on a note that is without any hard feelings.  They leave baseball with our very best wishes.”

Bavasi expressed a similar sentiment, though he noted a contrasting O’Malley viewpoint.  “Walter still thinks the boys are going to play.  But I don’t.  And I know these boys a little better than other people,” said Bavasi.

Later that day, the men with the power of the Pacific Ocean in their pitching arms resolved their contract dispute with the suits at Dodger Stadium.  Drysdale and Koufax signed for $120,000 and $105,000, respectively, for the 1966 season.  These figures were, according to Maher, “authoritative estimates” and quite a jump from each pitcher’s reported 1965 salary in the $75,000 range.

A summit of sorts took place at Nikola’s, a restaurant on Sunset Boulevard, where Drysdale and Bavasi met.  “Don told me what he thought it would take to get both boys.  I came up with a figure.  Don talked to Sandy and they accepted,” explained Bavasi.

Drysdale and Koufax had the counsel of J. William Hayes, a prominent sports and entertainment attorney.  “There’s no telling what we would have done without him,” praised Drysdale.  “We’ve really got to thank him.  From a business standpoint, he didn’t need us at all.  This was just a drop in the bucket compared to some of the business negotiations he handles.”

In his 1966 autobiography Koufax, written with Ed Linn, the legendary left-hander concurred with Drysdale.  “And then something happened which, I think showed the value of having a third party involved in this kind of emotional dogfight,” wrote Koufax about the status of the negotiations on the day that the parties achieved resolution.  “Buzzie was quoted as having said that if only one of us signed—while the other presumably held out or quit—the player who signed would have to accept the original offer.

“Bill Hayes called early in the morning to warn Buzzie that if he made that kind of proposition to Don, he had very little chance of signing either of us.”

1966 was the last season for Koufax, who proved his worth by leading the major leagues in:

  • Wins (27)
  • ERA (1.73)
  • Games started (41)
  • Complete games (27)
  • Innings pitched (323)
  • Strikeouts (317)

Drysdale did not fare was well—his win-loss record was 13-16.  Three years later, the overpowering right-hander retired with a 209-166 career win-loss record.

It was a glorious season for the champions of Chavez Ravine—the Dodgers won the 1966 National League pennant.  Alas, they did not repeat as World Series victors; the Baltimore Orioles swept the Dodgers in four straight games.

A version of this article appeared on www.thesportspost.com on March 30, 1966.

1960s Sex Symbols: Catwoman Is Purrrfect

Friday, April 26th, 2013

Julie Newmar’s sex appeal as Catwoman on the 1960s television show Batman stemmed not only from a statuesque figure, a skin-tight outfit, and a beautiful visage.  Newmar’s self-assuredness was a powerful force, too.

(more…)

When Batman Ruled Television

Wednesday, February 27th, 2013

When Batman debuted on television in January 1966, it made a brief but noticeable mark on the television programming landscape.  Batman showcased Adam West as the title character and his alter ego, Bruce Wayne, residing in stately Wayne Manor along with Wayne’s ward, Dick Grayson, a.k.a. Robin, the Boy Wonder.

It was a show steeped in campiness.

(more…)