Posts Tagged ‘1980s’

Boog Powell’s MVP Season

Wednesday, April 19th, 2017

A native of Key West—the place where Pan Am began, the U.S.S. Maine sailed from on its last journey before exploding in Havana Harbor, and Ernest Hemingway maintained a legendary home—John Wesley Powell, also known as Boog, spent most of his 17-season career in an Orioles uniform.  One of those seasons—1970—resulted in him winning the American League Most Valuable Player Award.

Powell ran away with the MVP voting, gaining 11 of 24 first-place votes and 234 points.  The next four contestants weren’t even close:

  • Tony Oliva, Minnesota Twins (157)
  • Harmon Killebrew, Minnesota Twins (152)
  • Carl Yastrzemski, Boston Red Sox (136)
  • Frank Howard, Washington Senators (91)

Memorial Stadium rocked with the cheers of Oriole Nation as Powell marched toward the coveted .300 batting average barrier, falling just short at .297.  Powell’s dominance at the plate reflected in 35 home runs, 114 RBI, and a .549 slugging percentage.

It was a banner year for Baltimore’s birds—they won the World Series after getting upset by the Miracle Mets in 1969.  Powell’s fellow Orioles did not fare as well with awards, despite outstanding seasons.  Baltimore’s legendary pitching staff boasted three 20-game winners—Dave McNally, Mike Cuellar, and Jim Palmer scored in the top five for the American League Cy Young Award voting, but got eclipsed by Jim Perry of the Twins.

Powell said, “I think it’s a shame we were neglected for the other awards.  All of our three pitchers certainly deserved the Cy Young.  But I’m still elated at being chosen the MVP.  I feel it’s the highest honor in sports.”

Yankee skipper Ralph Houk won the American League Manager of the Year title rather than Earl Weaver, who helmed the O’s to two straight World Series.  A third consecutive appearance happened against the Pittsburgh Pirates in ’71—ultimately a losing affair in seven games.

Cheers, an NBC prime time powerhouse in the 1980s, used Powell to cement verisimilitude of Sam “Mayday” Malone—a fictional relief pitcher for the Boston Red Sox, a recovering alcoholic, and the owner of Cheers.  As the show’s theme song declares, Cheers is a bar, near the Boston Commons, where everybody knows your name.

In the first season episode “Sam at Eleven,” Sam’s former ballplayer pal Dave Richards, now a sportscaster, wants to interview the ex-Red Sox reliever at Cheers.  Sam talks about a dramatic moment when he faced Powell in the bottom of the ninth inning of the first game of a doubleheader.  During the middle of Sam’s story, Dave abandons for an interview with John McEnroe.  Diane Chambers, an intellectual waitress having an undercurrent of highly significant sexual tension with Sam, which gets resolved in a later episode when they succumb to their respective differences—he, a dumb jock stereotype and she, a condescending sort—asks what happened to “the Boog person” and Sam, obviously suffering from a punch to his ego, casually tells her that Powell grounded to third to end the game.

After some gentle and not-so-gentle verbal prodding from Diane, Sam talks about the injury to his psyche.  Then, perhaps in a moment of catharsis, he tells Diane about the end of the second game, which also found him facing Powell in the bottom of the ninth.

Sam’s story could not have taken place during Powell’s MVP year, however.  When Cheers left prime time in 1993, after 11 seasons, Sports Illustrated ran a biography of America’s favorite barkeep.  “Everybody Knows His Name” recounted Malone’s career based on dialogue throughout the series.  Sam Malone entered professional baseball in 1966, débuted in the major leagues in 1972, and ended his career in 1978.

A version of this article appeared on www.thesportspost.com on October 15, 2016.

10 Things I Love About Oriole Park at Camden Yards

Friday, April 14th, 2017

It is the birthplace of The Star-Spangled Banner, the resting place of Edgar Allen Poe, and the place where a stadium constructed during the nostalgia-soaked 1980s defines the paradigm for retro ballparks.

Baltimore.

Petco Park, PNC Park, and several others, indeed, have Oriole Park at Camden Yards in their DNA.  It began the erasure of the circular goliaths built in the 1960s for multiple sports, changing the game of ballpark architecture for urban planners, government officials, and fans.  Shea Stadium hosted the Jets and the Mets.  Going to the “Vet” for a sports fan meant either a Phillies game or an Eagles game.  Memorial Stadium gave Baltimore a home for the Orioles and the Colts.

Oriole Park ushered in a back to the future approach to creating a space where baseball can flourish.

  1. The statues of Oriole icons are amazingly detailed.  When observing Jim Palmer’s left leg extended just before releasing the ball, you almost think the statue will come to life.  Brooks Robinson stands in a slight crouch, waiting for a line drive or ground ball.  Earl Weaver, hands in back pockets, appears ready for another argument with an umpire.
  2. The Baltimore Sun has an electric sign past center field with its shortened name—The Sun.  When there’s a hit, the “h” flashes.  An error prompts the “e” to flash.
  3. Baseball-themed plaques dot Eutaw Street outside the outfield perimeter, marking the spots where balls have landed.  One plaque sits on the exterior of a restaurant—Ken Griffey, Jr. knocked that dinger during Home Run Derby of the 1993 All-Star Game.
  4. A statue of Babe Ruth stands outside an entrance, reminding entrants that, while the Bambino found pitching success in Boston and earned legend status with home runs in New York, he is a Baltimorean.
  5. Cal Ripken, Jr. made baseball history at Oriole Park in 1995, when he eclipsed Lou Gehrig’s streak of 2,130 consecutive games.
  6. Pope John Paul II celebrated mass at Oriole Park when he visited Baltimore on his 1995 trip.  The NBC television show Homicide features Frank Pembleton, played by Andre Braugher, watching the Pope’s visit on television.
  7. On April 6, 1992, President George H. W. Bush threw out the first pitch for the first game at Oriole Park.  It was a fitting moment for the former first baseman for Yale.
  8. Baltimore’s rich train legacy permeates the ballpark.  Beyond right field, the former Baltimore and Ohio Railroad Warehouse stands as a testament to the city’s transportation past, occupied present by team offices.  Camden Yards is the site of the B&O’s rail yard in days of yore.
  9. DaveThe West Wing, and The Wire contain scenes at Oriole Park—the first two offerings focus on fictional presidents throwing out the first ball.  In an episode of House of Cards, the fictional vice president, Frank Underwood throws out the first ball; Kevin Spacey, an Orioles fan, plays the devious Underwood in the series.
  10. Baltimore’s communal feeling surrounds Oriole Park.  Its aura is one of friendliness.  Its history, one of the richest in baseball.  Major League Baseball planted a flag in Baltimore when the St. Louis Browns moved after the 1953 season, but it was not the first MLB team for the city.  Dating back to 1882, Baltimore had a major league presence.  When a game takes place at Oriole Park, it continues a legacy ignited by John McGraw, Hughie Jennings, and Wee Willie Keeler; bolstered by Brooks Robinson, Frank Robinson, and Jim Palmer; and cemented by Cal Ripken, Jr., Eddie Murray, and Earl Weaver.

A version of this article appeared on www.thesportspost.com on September 25, 2016.

 

Coca-Cola and Baseball

Saturday, November 26th, 2016

The Pause That Refreshes.  The Real Thing.  The Best Friend Thirst Ever had.

Coca-Cola.

With slogans changing nearly every year, Coca-Cola is entrenched in American culture through a barrage of advertising campaigns, marketing strategies, and celebrity endorsements.  During the height of American pride—some say jingoism— in Ronald Reagan’s “Morning in America” presidency, Coca-Cola plucked the country’s patriotic heartstrings in the 1980s with its Red, White & You slogan.

Naturally, baseball provides a fantastic distribution outlet for Coca-Cola to target thirsty consumers who want a cold beverage as a companion for hot dogs, Cracker Jack, and peanuts.  But Coca-Cola’s relationship with baseball goes beyond exclusive pouring rights in America’s ballparks and stadia.

AT&T park in San Francisco boasts an 80-foot Coca-Cola bottle.  Citi Field has Coca-Cola Corner.  In Buffalo, Coca-Cola Field is the home ballpark for the Bisons, a Triple-A team in the International League.  According to the Bisons web site, Coca-Cola Field has a seating capacity of 18,025.  Designed by HOK Architects, Coca-Cola Field débuted in 1988.  The Lehigh Valley IronPigs call Coca-Cola Park in Allentown, Pennsylvania their home.

Beyond stadium naming rights, Coca-Cola ventured into the front office with ownership of the Atlanta Crackers, a team in the Negro Leagues.  The soft drink giant rescued the team from financial oblivion.  Honoring its history, Coca-Cola recounts the genesis on its web site coca-colacompany.com:  “When the Great Depression began, the economic slowdown hit baseball hard.  The Atlanta Crackers were floundering in a sea of debt and bad management.  By the end of the 1929 season, the team was sold to several local businesses, including the Atlanta Coca-Cola Bottling Company and The Coca-Cola Company.  Famed golfer (and lawyer) Bobby Jones acting as vice president.”

The Crackers needed an investor with the financial strength to shoulder this financial burden.  With its headquarters in Atlanta, Coca-Cola saw an opportunity, perhaps an obligation, to invest in the hometown team:  “When the condition continued to worsen, Robert Woodruff, Coca-Cola’s president, stepped forward to buy the Crackers to keep the team in Atlanta.”

Coca-Cola also sweetened the investment portfolio of a baseball legend to epic proportions.  As shrewd with investments as he was in the batter’s box, Ty Cobb used his frugality to launch his roster of stocks.  In a 1991 Los Angeles Times article titled “A Money Player: Ty Cobb Was a Peach When It Came to Investments, Too,” Cobb’s autobiography ghostwriter Al Stump explained Cobb’s financial prowess, claiming that Cobb was worth $12.1 million when he died in July 1961.  He cited a Cobb quote regarding the initial Coca-Cola investment: “For example, Coca-Cola was a new drink on the market in 1918.  Wall Street didn’t think much of it.  I gambled the other way with a small 300-shares buy, then with bigger buys and then Coke jumped out of sight.  It brought me more than $4 million as time went by.”

A version of this article appeared on www.thesportspost.com on June 15, 2014.

The Doctors Are In

Wednesday, September 30th, 2015

RemingtonWhen City Hospital premiered in 1952, it set off the medical genre for prime time television.  Naturally, shows about medical implications offer drama that, in the right hands, captivate audiences.

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A Funny Thing Happened on the Way to Pelham

Tuesday, September 29th, 2015

RemingtonHollywood’s 2009 remake of the 1970s classic movie The Taking of Pelham 123 starred three actors who got their big breaks on the small screen.

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Baseball Announcers

Friday, September 25th, 2015

RemingtonSounds associated with baseball form a vital part of the spectator experience.  Vendors hawking beer, fans booing and cheering, and a bat meeting a ball create an aural experience at the ballpark.

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Television, Philadelphia Style

Wednesday, June 17th, 2015

RemingtonPhiladelphia is a rich setting for prime time television shows.

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There’s No Business Like the News Business

Tuesday, June 2nd, 2015

RemingtonWhen Broadcast News premiered in 1987, it revealed the harsh realities of the television network news business, beginning with the necessity of answering to the bottom line.  Once upon a time, perhaps, a television network’s news division was prized for its prestige, without regard to ratings.  That paradigm shifted in the 1980s.

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Letterman, Leno, and Late Night

Monday, May 25th, 2015

RemingtonTonight, the first full week without David Letterman in late night television begins.

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The Peacock Becomes a Phoenix

Sunday, May 17th, 2015

RemingtonIn the 1980s, NBC’s peacock rose like a phoenix after startling programming disasters, including Pink Lady and JeffSupertrain, and the departure of the original Not Ready for Prime Time cast of Saturday Night Live.  Under programming guru Brandon Tartikoff and his lieutenants, Warren Littlefield and Jeff Sagansky, NBC achieved prominence, success, and distinction.

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