Posts Tagged ‘Baltimore’

What If the Dodgers Had Stayed in Brooklyn?

Wednesday, April 26th, 2017

What if the Dodgers had stayed in Brooklyn?  Further, what if migration in the modern era had never taken place, thereby forcing expansion in Kansas City, San Francisco, and other MLB cities.

My paradigm assumes the following:

  • Tampa, Toronto, Arizona, and Montreal do not have teams
  • A’s, Braves, Browns, Dodgers, and Senators stay in their original locations
  • The Giants move to Minneapolis after the 1957 season.
  • Team names reflect the location’s history and lore
    • Grizzly Bears:  California’s state animal
    • Conquistadors:  Group claiming Oakland for Spain’s king in the 1770s
    • Loggers:  Washington state’s rich logging history
    • Gold:  Northern California’s gold rush in the mid-19th century
    • Mountaineers:  Georgia’s magnificent mountains
    • Astronauts:  Houston’s fame as the home of NASA
    • Express:  Colorado’s key role in America’s railroad history

Expansion teams have their inaugural years in parentheses.

1961-1965

American League

Boston Red Sox
Chicago White Sox
Cleveland Indians
Detroit Tigers
Los Angeles Angels (1961)
New York Yankees
Philadelphia Athletics
St. Louis Browns
San Francisco Gold (1961)
Washington Senators

National League

Boston Braves
Brooklyn Dodgers
Chicago Cubs
Cincinnati Reds
Los Angeles Grizzly Bears (1961)
Milwaukee Brewers (1961)
Minnesota Giants
Philadelphia Phillies
Pittsburgh Pirates
St. Louis Cardinals

1966-1975

American League East

Baltimore Orioles (1966)
Boston Red Sox
Cleveland Indians
Georgia Mountaineers (1966)
New York Yankees
Philadelphia Athletics
Washington Senators

American League West

Chicago White Sox
Detroit Tigers
Kansas City Royals (1966)
Los Angeles Angels (1961)
San Francisco Gold (1961)
St. Louis Browns
Texas Rangers (1966)

National League East

Boston Braves
Brooklyn Dodgers
Cincinnati Reds
Denver Express (1966)
Houston Astronauts (1966)
Philadelphia Phillies
Pittsburgh Pirates

National League West

Chicago Cubs
Los Angeles Grizzly Bears (1961)
Milwaukee Brewers (1961)
Minnesota Giants
St. Louis Cardinals
San Diego Padres (1966)
Seattle Loggers (1966)

1976-Present

American League East

Baltimore Orioles (1966)
Boston Red Sox
New York Yankees
Philadelphia Athletics
Washington Senators

American League Central

Chicago White Sox
Cleveland Indians
Detroit Tigers
Georgia Mountaineers (1966)
St. Louis Browns

American League West

Kansas City Royals (1966)
Los Angeles Angels (1961)
Oakland Conquistadors (1976)
San Francisco Gold (1961)
Texas Rangers (1976)

National League East

Boston Braves
Brooklyn Dodgers
Miami Marlins (1976)
Philadelphia Phillies
Pittsburgh Pirates

National League Central

Chicago Cubs
Cincinnati Reds
Houston Astronauts (1966)
Milwaukee Brewers (1961)
St. Louis Cardinals

National League West

Denver Express (1966)
Los Angeles Grizzly Bears (1961)
Minnesota Giants
San Diego Padres (1966)
Seattle Loggers (1966)

A version of this article appeared on www.thesportspost.com on November 14, 2016.

Age Is Just a Number: Luke Appling and the 1982 Cracker Jack Old Timers Baseball Classic

Sunday, April 23rd, 2017

It was a moment of nostalgia, surprise, and joy.  More than 30 years after hanging up his spikes, Luke Appling went yard at the age of 75 in the 1982 Cracker Jack Old Timers Baseball Classic at RFK Stadium in Washington, D.C.

Far from a power hitter, Luke Appling bashed 45 home runs in his career, which was one of, as Wee Willie Keeler said, hitting them where they ain’t.  Appling fell shy of the magic mark of 3,000 hits, ending his career with 2,749 hits, including:

  • 440 doubles
  • 102 triples

He played his entire career in a White Sox uniform—1930 to 1950.

The Cracker Jack game was a shot of adrenaline to baseball fans suffering the psychic wounds created by the previous year’s strike, which shortened the 1981 baseball season.  Appling’s home run off Warren Spahn washed away, if only for a jiffy, the festering stench of despair felt across the fan spectrum, from Tee-ball players first learning the basics to senior citizens reminiscing about ballparks that no longer exist.

Appling was the oldest player in the Cracker Jack game, which ended with the American League beating the National League 7-2.

Nearly 30,000 fans poured into RFK on July 19, 1982 to watch baseball’s heroes of days gone by.  Though the ex-players wore the uniforms so familiar to baseball fans, their appearances showed the slights of age.  A little grayer.  A touch heavier.  A bit slower.  None of that mattered.  Old Timers games are affairs of the heart.  Baseball is, after all, a sentimental game, at once wistful and exciting.

Appling’s homer punctuated the pleasure at seeing a game where icons, though far from their prime, can recapture the feeling that anything is possible.

Bobby Thomson proved it when he knocked a Ralph Branch pitch over the left field fence at the Polo Grounds to win the 1951 National League pennant for the New York Giants.

The 1969 Mets proved it when they beat the favored Baltimore Orioles to win the World Series.

Cal Ripken, Jr. proved it when he broke Lou Gehrig’s streak of consecutive games played.

A .310 career hitter, Appling suffered injuries that came faster than a street hustler moving the cards in Three Card Monte.  “Old Aches and Pains” became his moniker.  Inducted into the Baseball Hall of Fame in 1964, Appling’s career achievements were:

  • 528 strikeouts
  • 1,302 walks
  • .399 On-base percentage
  • Led major leagues with a .388 batting average in 1936 (Lou Gehrig eclipsed Appling in the voting for the American League Most Valuable Player Award)
  • Led American League with a .328 batting average and a .419 On-base percentage in 1943

On the morning of the Cracker Jack game, in a harbinger of the home run, an Appling quote appeared in Denis Collins’s article “Old Timers:  Memories Are as Strong as Ever” for the Washington Post:  “I can still slap the ball around here and there.”

Indeed.

A version of this article appeared on www.thesportspost.com on October 20, 2016.

Boog Powell’s MVP Season

Wednesday, April 19th, 2017

A native of Key West—the place where Pan Am began, the U.S.S. Maine sailed from on its last journey before exploding in Havana Harbor, and Ernest Hemingway maintained a legendary home—John Wesley Powell, also known as Boog, spent most of his 17-season career in an Orioles uniform.  One of those seasons—1970—resulted in him winning the American League Most Valuable Player Award.

Powell ran away with the MVP voting, gaining 11 of 24 first-place votes and 234 points.  The next four contestants weren’t even close:

  • Tony Oliva, Minnesota Twins (157)
  • Harmon Killebrew, Minnesota Twins (152)
  • Carl Yastrzemski, Boston Red Sox (136)
  • Frank Howard, Washington Senators (91)

Memorial Stadium rocked with the cheers of Oriole Nation as Powell marched toward the coveted .300 batting average barrier, falling just short at .297.  Powell’s dominance at the plate reflected in 35 home runs, 114 RBI, and a .549 slugging percentage.

It was a banner year for Baltimore’s birds—they won the World Series after getting upset by the Miracle Mets in 1969.  Powell’s fellow Orioles did not fare as well with awards, despite outstanding seasons.  Baltimore’s legendary pitching staff boasted three 20-game winners—Dave McNally, Mike Cuellar, and Jim Palmer scored in the top five for the American League Cy Young Award voting, but got eclipsed by Jim Perry of the Twins.

Powell said, “I think it’s a shame we were neglected for the other awards.  All of our three pitchers certainly deserved the Cy Young.  But I’m still elated at being chosen the MVP.  I feel it’s the highest honor in sports.”

Yankee skipper Ralph Houk won the American League Manager of the Year title rather than Earl Weaver, who helmed the O’s to two straight World Series.  A third consecutive appearance happened against the Pittsburgh Pirates in ’71—ultimately a losing affair in seven games.

Cheers, an NBC prime time powerhouse in the 1980s, used Powell to cement verisimilitude of Sam “Mayday” Malone—a fictional relief pitcher for the Boston Red Sox, a recovering alcoholic, and the owner of Cheers.  As the show’s theme song declares, Cheers is a bar, near the Boston Commons, where everybody knows your name.

In the first season episode “Sam at Eleven,” Sam’s former ballplayer pal Dave Richards, now a sportscaster, wants to interview the ex-Red Sox reliever at Cheers.  Sam talks about a dramatic moment when he faced Powell in the bottom of the ninth inning of the first game of a doubleheader.  During the middle of Sam’s story, Dave abandons for an interview with John McEnroe.  Diane Chambers, an intellectual waitress having an undercurrent of highly significant sexual tension with Sam, which gets resolved in a later episode when they succumb to their respective differences—he, a dumb jock stereotype and she, a condescending sort—asks what happened to “the Boog person” and Sam, obviously suffering from a punch to his ego, casually tells her that Powell grounded to third to end the game.

After some gentle and not-so-gentle verbal prodding from Diane, Sam talks about the injury to his psyche.  Then, perhaps in a moment of catharsis, he tells Diane about the end of the second game, which also found him facing Powell in the bottom of the ninth.

Sam’s story could not have taken place during Powell’s MVP year, however.  When Cheers left prime time in 1993, after 11 seasons, Sports Illustrated ran a biography of America’s favorite barkeep.  “Everybody Knows His Name” recounted Malone’s career based on dialogue throughout the series.  Sam Malone entered professional baseball in 1966, débuted in the major leagues in 1972, and ended his career in 1978.

A version of this article appeared on www.thesportspost.com on October 15, 2016.

10 Things I Love About Oriole Park at Camden Yards

Friday, April 14th, 2017

It is the birthplace of The Star-Spangled Banner, the resting place of Edgar Allen Poe, and the place where a stadium constructed during the nostalgia-soaked 1980s defines the paradigm for retro ballparks.

Baltimore.

Petco Park, PNC Park, and several others, indeed, have Oriole Park at Camden Yards in their DNA.  It began the erasure of the circular goliaths built in the 1960s for multiple sports, changing the game of ballpark architecture for urban planners, government officials, and fans.  Shea Stadium hosted the Jets and the Mets.  Going to the “Vet” for a sports fan meant either a Phillies game or an Eagles game.  Memorial Stadium gave Baltimore a home for the Orioles and the Colts.

Oriole Park ushered in a back to the future approach to creating a space where baseball can flourish.

  1. The statues of Oriole icons are amazingly detailed.  When observing Jim Palmer’s left leg extended just before releasing the ball, you almost think the statue will come to life.  Brooks Robinson stands in a slight crouch, waiting for a line drive or ground ball.  Earl Weaver, hands in back pockets, appears ready for another argument with an umpire.
  2. The Baltimore Sun has an electric sign past center field with its shortened name—The Sun.  When there’s a hit, the “h” flashes.  An error prompts the “e” to flash.
  3. Baseball-themed plaques dot Eutaw Street outside the outfield perimeter, marking the spots where balls have landed.  One plaque sits on the exterior of a restaurant—Ken Griffey, Jr. knocked that dinger during Home Run Derby of the 1993 All-Star Game.
  4. A statue of Babe Ruth stands outside an entrance, reminding entrants that, while the Bambino found pitching success in Boston and earned legend status with home runs in New York, he is a Baltimorean.
  5. Cal Ripken, Jr. made baseball history at Oriole Park in 1995, when he eclipsed Lou Gehrig’s streak of 2,130 consecutive games.
  6. Pope John Paul II celebrated mass at Oriole Park when he visited Baltimore on his 1995 trip.  The NBC television show Homicide features Frank Pembleton, played by Andre Braugher, watching the Pope’s visit on television.
  7. On April 6, 1992, President George H. W. Bush threw out the first pitch for the first game at Oriole Park.  It was a fitting moment for the former first baseman for Yale.
  8. Baltimore’s rich train legacy permeates the ballpark.  Beyond right field, the former Baltimore and Ohio Railroad Warehouse stands as a testament to the city’s transportation past, occupied present by team offices.  Camden Yards is the site of the B&O’s rail yard in days of yore.
  9. DaveThe West Wing, and The Wire contain scenes at Oriole Park—the first two offerings focus on fictional presidents throwing out the first ball.  In an episode of House of Cards, the fictional vice president, Frank Underwood throws out the first ball; Kevin Spacey, an Orioles fan, plays the devious Underwood in the series.
  10. Baltimore’s communal feeling surrounds Oriole Park.  Its aura is one of friendliness.  Its history, one of the richest in baseball.  Major League Baseball planted a flag in Baltimore when the St. Louis Browns moved after the 1953 season, but it was not the first MLB team for the city.  Dating back to 1882, Baltimore had a major league presence.  When a game takes place at Oriole Park, it continues a legacy ignited by John McGraw, Hughie Jennings, and Wee Willie Keeler; bolstered by Brooks Robinson, Frank Robinson, and Jim Palmer; and cemented by Cal Ripken, Jr., Eddie Murray, and Earl Weaver.

A version of this article appeared on www.thesportspost.com on September 25, 2016.

 

Hilltop Park’s First Game

Saturday, March 25th, 2017

Yankee history—a farrago of excellence, myth, and icons—began, in fact, in Baltimore.

After two seasons in the city abutting Chesapeake Bay—1901 and 1902—the Orioles departed for New York City, a result of Frank Farrell and Bill Devery buying the defunct operations for $18,000.  New York’s team became the Highlanders—later, the Yankees.  Baltimore, in turn, lacked a major league ball club until 1954, when the St. Louis Browns moved there; once again, the city boasted a team known as the Orioles.

Washington Heights in upper Manhattan hosted the Highlanders at the new stadium called American League Park; its location earned the label Hilltop Park.  On April 30, 1903, the Highlanders inaugurated their new home with a 6-2 victory over the Washington Senators.  Ban Johnson, the American League’s president, threw out the first ball.

Building the field was not, in any way, an endeavor easily accomplished.  “It wasn’t very impressive,” recounted Marty Appel in his 2012 chronicle Pinstripe Empire:  The New York Yankees form Before the Babe to After the Boss.  “It would be a haul for fans to get to this field, and they would expect something worthy of the journey, worthy of a paid admission.  The new team had to give them a product that felt big-time.  And the clock was ticking.”

Indeed, fans attending the Highlanders-Senators contest saw a field requiring attention.  “Although the stands have not yet been completed, the occupants of the half-finished structures seemed to be perfectly satisfied with the seating arrangements,” reported the New York Times.  “While the big gathering was not over demonstrative [sic], the absence of fault finding was in itself an assurance to the management that the patrons fully appreciated the difficulties which beset the new club and due credit was given to the almost herculean efforts of the officials who had accomplished so much in such a brief time.

“The diamond, newly sodded and rolled to perfection, was the only spot in the big field which could not be improved.”

Lacking the benefits of mass transit to the environs of the ballpark, fans nonetheless journeyed for a formidable turnout.  “When the game was called there were fully fifteen thousand people present, a remarkable number, considering that the rapid transit road will not be completed this season, and that the spectators had to come on surface lines,” stated the New York Herald Tribune.  The Times reported the attendance as 16,243.

Wee Willie Keeler scored three runs for New York’s nascent squad.  Highlanders hurler Jack Chesbro held the Zeusian power of Ed Delahanty in check by not allowing a hit for the Senators slugger; Delahanty led the American League in 1902 with a .376 batting average, in addition to leading the major leagues in doubles, on-base percentage, and slugging percentage.

The Highlanders left seven players on base.  The Senators, nine.  Elapsed time for the game stood at ninety minutes.

In their first season, the Highlanders drew more than 211,000 fans to place 7th of 8th in the American League.

A version of this article appeared on www.thesportspost.com on April 30, 2016.

 

Wee Willie Keeler’s Best Year

Friday, March 17th, 2017

Wee Willie Keeler, a diminutive Baltimore Orioles right fielder measuring 5’4″ and 140 pounds, declared of his success, “Keep your eye on the ball and hit ’em where they ain’t!”  In 1897, he did it 239 times for a .424 batting average.  Both stats led the major leagues—he repeated this achievement in 1898 with 216 hits and a .385 batting average.

1897 was, indeed, a career season for Keeler, whose seasonal achievements at the plate also included:

  • Tied career high in doubles (27)
  • 2nd highest number of triples (19)
  • 4th highest number of RBI (74)
  • Career high .464 on-base percentage
  • Career high .539 slugging percentage
  • Career high 1.003 on-base plus slugging percentage
  • 44-game hitting streak (National League record tied by Pete Rose in 1978

Among Keeler’s skills, power was absent—he had zero home runs in 1897.

In addition to Keeler, Baltimore’s 1897 squad burst with supremacy at the plate.

  • Jack Doyle, First Baseman (.354)
  • Hughie Jennings, Shorstop (.355)
  • John McGraw (Third Baseman (.325)
  • Joe Kelley, Left Fielder (.362)
  • Jake Stenzel, Right Fielder (.353)

Because the Orioles’ lineup overflowed with skilled batsmen, Keeler’s prowess, though formidable, may not be easily discerned.  “The chief obstacle for evaluators of the Keeler legacy is that his prime years came with a juggernaut that was stocked with too many good hitters for pitchers to pitch around him and in an era that afforded him advantages that players who followed him as little as ten years later no longer enjoyed,” wrote baseball historian David Nemec in Volume 2 of his 2011 tome Major League Baseball Profiles: 1871-1900.

Keeler began his career in 1892 and, as Nemec points out, benefited from the allowance to “tap or chop pitches foul without having them counted against him as strikes” during his first seven seasons.

Sporting a 90-40 record, Baltimore’s 1897 team finished 2nd in the National League.  Despite the team’s success in the 1890s, conflict resonated, especially between McGraw and Keeler.  “McGraw, always needing a target, liked to pick on Willie Keeler, the only Oriole littler than he was,” wrote Burt Solomon in his 1999 book Where They Ain’t: The Fabled Life and Untimely Death of the Original Baltimore Orioles, the Team That Gave Birth to Modern Baseball.  “Willie was a city boy and a happy one.  Mac, raised an hour and a half by rail from Syracuse, had grown up hard.  Mac had a talent for manipulation, even a need for it, and a knack for not letting it trouble him any.  Willie cared nothing about things like that.  He wanted to do his job as well as he could and to have fun, not necessarily in that order.  Sharpening his spikes, he believed, was something a gentleman did not do,” continued Solomon.

Keeler died on New Year’s Day in 1923; his Orioles teammates went to Brooklyn’s Church of Our Lady of Good Counsel for a requiem mass—a former tormentor was among those in attendance.  “Tears stood in the eyes of John McGraw, manager of the world’s champion Giants and a team mate [sic] of Keeler’s on the famous Orioles of the 90s, as he viewed his old body,” reported the Washington Post.

Keeler played for the Giants, the Bridegrooms, the Orioles, and the Yankees in his 19-year career.  2,932 hits, .341 batting average, and .415 slugging percentage boosted him to Cooperstown—the Baseball Hall of Fame inducted Keeler in 1939.  On his plaque, below the name and the visage, stands Keeler’s famous quote “Hit ’em where they ain’t!”

A version of this article appeared on www.thesportspost.com on April 8, 2016.

Kevin Kline, Dave Kovic, and President William Harrison Mitchell

Wednesday, March 15th, 2017

When Ronald Reagan pursued the presidency, Jack Warner, his former boss, said, “No, Jimmy Stewart for President. Ronald Reagan for best friend.”  This story may be apocryphal a combination of political and Hollywood lore.

Reagan, the nation’s 40th president, stands at the crossroads of politics and show business as the ultimate example of the nexus between the two.  After an acting career that lasted nearly 30 years working for Warner and other studio heads, Reagan ran for Governor of California twice and won both times—1966 and 1970.  During the Reagan presidency in the 1980s, the actor-turned-politico reportedly said, “How can a president not be an actor?”

Such is the quandary of Dave Kovic, an impersonator of President William Harrison Mitchell in the 1993 movie Dave; Kevin Kline plays the title character.

After a speech at the Monroe Hotel, the president engages in a tryst with his secretary in a hotel room while Dave—also played by Kevin Kline—substitutes for him in the lobby, waving to people as he exits.  Mitchell’s staff procured Dave’s services after learning of a promotional appearance as the president at a car dealership.  Presidential impersonation is a side business to Dave’s job—running a temporary employee agency.

When President Mitchell suffers a stroke in flagrante delicto, Chief of Staff Bob Alexander and White House Media Advisor Alan Reed persuade Dave to continue impersonating the president, who lies in intensive care several feet below the White House in a super-secure area.  An appearance at Camden Yards appears in a montage of scenes showing the “new” President Mitchell rebounding from his stroke with positive energy.

Kline filmed Dave during 1992, a presidential election year that brought George Herbert Walker Bush, William Jefferson Clinton, and Henry Ross Perot into the campaign arena where they were marred by blood, sweat, and late night television comedy.  “I really tried to avoid doing George Bush,” said Kline in an interview with Susan Lehman of the Washington Post.  “If I had, it would have put us in the realm of impersonation or parody.  And rather than do a parody of any conservative president of the last 12 years, I tried to understand the psychology of a guy whose popularity polls had hit bottom, who no longer enjoyed his job, who had bought into the whole public polling, image-creating aspect of his job and had lost touch with who he was.  You know, at one time, he may have had the best intentions when he entered politics, but ultimately it got the best of him.”

There is no designation of a political party in the movie.

Before an Orioles-Tigers game on August 3, 1992, Kline filmed the scene of him throwing out the first ball.  Baltimore’s birds won the game 6-3.  Storm Davis restricted the Tigers to no hits during his 2 1/3 innings of hurling.  Orioles first baseman Glenn Davis knocked a two-run home run in the fifth inning.

Storm and Glenn were not brothers—pretty close, though.  Storm’s family adopted Glenn, for all intents and purposes—though not formally—when the boys played baseball at Jacksonville’s University Christian High School.  Glenn Davis’s parents divorced just about when he was learning to walk, leaving the Davis matriarch struggling to raise three children on her own.

This difficult home situation made Storm’s family life a paradigm of structure, safety, and belonging.  “Glenn started coming over to the house his sophomore year, sometimes staying for dinner,” wrote Molly Dunham and Mike Klingaman in a 1991 article for the Baltimore Sun.  “He lived on the north side of Jacksonville; Storm’s family lived on the south side, about 15 miles away.  Sometimes Glenn took the bus.  He never really said how he got there other times.”

In his 13-year major league career (1982-1994), Storm Davis played for Baltimore, San Diego, Oakland, Kansas City, and Detroit; Davis’s career win-loss record is 113-96.  Glenn Davis played for two teams—Houston and Baltimore—in his 10-year major league career (1984-1993), compiling 965 hits, 190 home runs, and a .259 batting average.

A version of this article appeared on www.thesportspost.com on April 1, 2016.

The Great Holdout of 1966

Tuesday, March 14th, 2017

In March of 1966, Bobby Hull set an NHL scoring record for a single season, Gemini 8 brought NASA one giant leap closer to a manned moon landing by completing the first docking with another space craft, and Julie Newmar set hearts of males from eight to eighty beating faster when she débuted as Catwoman in a skintight outfit on Batman.

For Dodger fans, however, there was not much to cheer about.  Sandy Koufax and Don Drysdale had a standoff against Walter O’Malley and Buzzie Bavasi—the Dodgers’ owner and general manager, respectively—just a few months after the Dodgers won the 1965 World Series in seven games against the Minnesota Twins; Drysdale had a 1-1 record in the series while Koufax went 2-1 and won the seventh game.

Drysdale and Koufax negotiated as a team, arguing that their combined 49 wins of the team’s 97 in 1965 warranted a boost in salaries; Koufax led the major leagues with 26 victories.

Prospects looked dire on the morning of March 30th.  Readers of the Los Angeles Times got a jolt when they read an article titled “Koufax, Drysdale reject $210,000 by Charles Maher and Frank Finch.  It quoted O’Malley:  “While I am sorry the incident is closed, I am pleased that it is ending on a note that is without any hard feelings.  They leave baseball with our very best wishes.”

Bavasi expressed a similar sentiment, though he noted a contrasting O’Malley viewpoint.  “Walter still thinks the boys are going to play.  But I don’t.  And I know these boys a little better than other people,” said Bavasi.

Later that day, the men with the power of the Pacific Ocean in their pitching arms resolved their contract dispute with the suits at Dodger Stadium.  Drysdale and Koufax signed for $120,000 and $105,000, respectively, for the 1966 season.  These figures were, according to Maher, “authoritative estimates” and quite a jump from each pitcher’s reported 1965 salary in the $75,000 range.

A summit of sorts took place at Nikola’s, a restaurant on Sunset Boulevard, where Drysdale and Bavasi met.  “Don told me what he thought it would take to get both boys.  I came up with a figure.  Don talked to Sandy and they accepted,” explained Bavasi.

Drysdale and Koufax had the counsel of J. William Hayes, a prominent sports and entertainment attorney.  “There’s no telling what we would have done without him,” praised Drysdale.  “We’ve really got to thank him.  From a business standpoint, he didn’t need us at all.  This was just a drop in the bucket compared to some of the business negotiations he handles.”

In his 1966 autobiography Koufax, written with Ed Linn, the legendary left-hander concurred with Drysdale.  “And then something happened which, I think showed the value of having a third party involved in this kind of emotional dogfight,” wrote Koufax about the status of the negotiations on the day that the parties achieved resolution.  “Buzzie was quoted as having said that if only one of us signed—while the other presumably held out or quit—the player who signed would have to accept the original offer.

“Bill Hayes called early in the morning to warn Buzzie that if he made that kind of proposition to Don, he had very little chance of signing either of us.”

1966 was the last season for Koufax, who proved his worth by leading the major leagues in:

  • Wins (27)
  • ERA (1.73)
  • Games started (41)
  • Complete games (27)
  • Innings pitched (323)
  • Strikeouts (317)

Drysdale did not fare was well—his win-loss record was 13-16.  Three years later, the overpowering right-hander retired with a 209-166 career win-loss record.

It was a glorious season for the champions of Chavez Ravine—the Dodgers won the 1966 National League pennant.  Alas, they did not repeat as World Series victors; the Baltimore Orioles swept the Dodgers in four straight games.

A version of this article appeared on www.thesportspost.com on March 30, 1966.

The First Angel

Sunday, March 12th, 2017

William Shakespeare, like other innovators, warned of worries that could prevent success—”Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt,” wrote the Bard in Measure for Measure.

It is a certainty, of course, that achievement in any endeavor requires a trio of curiosity, discipline, and persistence to defy doubts, exceed expectations, and create greatness.  California’s Orange County exemplifies, boasting a lineage of leadership responsible for inspiring us to dream, resetting our standards, and easing our lives.

Henry Huntington, owner of the Pacific Electric Railway, spearheaded the rail and trolley connection between Los Angeles County, Orange Count, San Bernardino County, and Riverside County.  Because of his transportation innovation, Huntington Beach bears his name.

Walter Knott, the berry mogul, saw prosperity where others saw dearth in Buena Park.  World-famous amusement park Knott’s Berry Farm stands on the site where Knott amassed a fortune based in berries, preserves, and pies; a Ghost Town created for customers became the genesis for the park.

Walt Disney made Anaheim a household word when he constructed Disneyland.  It came to fruition because of a deal struck with Leonard Goldenson, head of the nascent television network ABC—Disney needed financing; Goldenson needed programming.  Thus was born The Mickey Mouse Club and Disneyland.

In this pantheon of progressive thinkers in Orange County belongs Gene Autry, an icon of success in radio.  And recording.  And movies.  And television.  And personal appearances.  And rodeo.  And business.  And broadcasting.  And baseball.

Fans of the Angels, a team with many monikers since its major league début in 1960—Los Angeles Angels, California Angels, Anaheim Angels, Los Angeles Angels of Anaheim—know Autry, primarily, as the team’s founder.  The First Angel.

Autry’s career is an American success story.  Born near Tioga, a town in north Texas, Autry assimilated into Hollywood’s show business culture as a western star—America’s Favorite Singing Cowboy—with a guitar, a horse named Champion, and a signature song.  Back in the Saddle Again was to Autry what Happy Trails was to Roy Rogers and Dale Evans.

One of Autry’s assets was the Monogram Movie Ranch, which got a name change to Melody Ranch—a tribute to Autry’s eponymous movie.  Melody Ranch was also a song title and the name of one of Autry’s music companies.

Christmastime offers Autry’s voice as a mainstay—he was the first to record Rudolph the Red-Nosed ReindeerHere Comes Santa Claus (Right Down Santa Claus Lane), and Frosty the Snowman.  Additionally, he co-wrote Here Comes Santa Claus.

Besides his success in music, movies, radio, and television, Autry was an astute businessman.  Investments in rodeo stock and the World Championship Rodeo Company resulted in the Professional Rodeo Cowboys Association’s Pro Rodeo Hall of Fame inducting Autry in 1979.

Los Angeles television station KTLA was another prize asset in Autry’s portfolio.  “When he was a kid in the 1920s, his family struggled financially, so he always had a work ethic,” explains Maxine Hansen, Executive Assistant to Jackie and Gene Autry from 1981 to 1998, when Autry passed away.  Since then, she has worked exclusively for Mrs. Autry.

“You always found him working.  Mr. Autry was close to his Uncle Cal, so he worked on his uncle’s farm.  He also worked in a Tioga barbershop run by Sam Anderson.  He did whatever he could to make money and help his family, including leaving school as a teenager and working for the Frisco Railroad as a baggage handler and later, a telegrapher.  He was determined to work hard and succeed.”

On December 7, 1960, Autry led a group of investors to establish the American League’s expansion team, named the Angels.  Frank Finch of the Los Angeles Times reported that Dodgers owner Walter O’Malley said, “Gene Autry and Bob Reynolds are the kind of people that will be good for the game.  We are delighted that they have been awarded a franchise, and I hope that the Angels can bring an American League pennant to Los Angeles very soon.”

Baseball was an outlet for Autry, like millions of other boys, rich or poor.  “He enjoyed the game immensely,” says Hansen.  “Childhood friends said he was a good player.  He played on the Frisco Railroad team and he was pretty fair in semi-pro baseball.  Mr. Autry got an offer from the Cardinals organization’s Class D team, but the salary was only $100 per month.  So, he stayed with the railroad.”

Gene Autry is the only person to have all five stars on the Hollywood Walk of Fame—Radio, Recording, Motion Pictures, Television, Live Theater/Performance.  Although he was one of the biggest celebrities of the 20th century, Autry never let stardom, money, or power outshine his ideals, values, or management style.  “Mr. Autry put people that he trusted in positions of responsibility,” says Hansen.  “He had a good eye for business talent.  He expected them to tell the truth, especially if they made mistakes.  And he left them alone to do their jobs.  He was always willing and open to business opportunities.”

Autry purchased KTLA in the fall of 1963, connected his properties to make it the broadcaster of Angels games, and formed Golden West Broadcasters to bring his television and radio assets under one umbrella.  KTLA was the Angles television broadcaster until 1995.

For Orange County’s baseball fans, the Autry asset with the highest significance was the major league team represented by a stylized A with a halo around it.  The Angels played their first game on April 11, 1961—it was a 7-2 victory at Memorial Stadium against the Baltimore Orioles.

Wrigley Field in Los Angeles was the Angels’ first home; the team moved to Dodger Stadium for four seasons, then moved to its own ballpark in 1966—Angel Stadium.

A version of this article appeared on www.thesportspost.com on March 21, 2016.

When the Braves Left Boston

Saturday, March 11th, 2017

Until 1953, New Englanders split their major league loyalties between two teams—the Braves and the Red Sox.  With a Beantown pedigree predating the National League’s formation in 1876, the former trekked to the land of beer and bratwurst—Milwaukee—while the latter, consequently, provides a single major league outlet from Boston to Bangor.

St. Patrick’s Day, an unofficial holiday for Irish folks, especially in heavily clover-laden metropolises, brought the luck of the Irish to Bostonians in 1953.  Bad luck.  Readers of the March 17th edition of the Boston Globe absorbed the words of Joseph F. Dinneen, Jr., who chronicled a last-ditch effort to keep Braves owner Lou Perini in the environs of Boston Common, Faneuil Hall, and Beacon Hill.  From the powerful came the pleas—Governor Christian Herter, Mayor John Hynes, and the Boston Chamber of Commerce.  Braves fans, of course, chimed in.

“Treated like an orphan son until news of the threatened transfer broke last weekend, the Braves suddenly became the prodigal son everyone wanted to return home—to Boston,” wrote Dinneen.

The Chamber of Commerce’s attempt sourced in dollars and cents, naturally.  If the Braves stayed, ticket sales would increase.  Or so the theory went.  Herter and Hynes joined forces, outlining a strategy for Perini to sell the team so it could remain in Boston.  Dinneen recounted the politicos’ missive sent by telegram, which stated, “Removal of the Braves’ franchise from Boston will have a disturbing and far-reaching effect on the city.  We appeal to you to reconsider the proposed removal, at least for 1953, so that other arrangements may be worked out and so that an opportunity may be provided other interests to purchase and retain the franchise in Boston.”

The Braves’ autumnal annum in Boston had numbers supporting Perini’s bottom line reasoning for the move to Milwaukee—the team finished last in National League attendance; a 64-89 record was not sufficient to draw the crowds necessary to sustain operations.

Russell Lynch, sports editor of the Milwaukee Journal, ignited Perini’s transplant to the Midwest, which was facilitated, in no small part, by the Braves’ AAA team being in Milwaukee—the Brewers.  Perini had vetoed attempts by Bill Veeck to buy the minor league franchise, including one deal that would have resulted in Veeck clearing Milwaukee for the St. Louis Browns by moving the Brewers to Toledo; ultimately, the Browns moved to Baltimore after the 1953 season and became the Orioles.

Inspired, Lynch began a back-and-forth series of telegrams with Perini about blocking Milwaukee from becoming a major league city.  In the Globe, Roger Birtwell wrote, “Next Mr. Lynch turned to his typewriter and batted out a few columns.  The Milwaukee Journal has 350,000 readers each afternoon and half a million on Sunday.  Lynch informed them and their neighbors that Perini—the villain—was keeping major league ball out of Milwaukee.”

Perini, in turn, came to a fork in the road.  Keeping the status quo risked heightening the ire of Milwaukeeans and Bostonians alike—the former because their grasp of being a major league city exceeded their reach and the latter because the Braves continued to drain money by underperforming in the National League.

“We had made up our mind that, regardless if we had won the pennant we would go to Milwaukee next year,” said Perini, quoted in the Globe by Clif Keane.  Veeck’s maneuvers, however, ignited the transition’s rapidity.  Dodgers owner Walter O’Malley said, “I’m sorry it happened.  I’m not at all happy about it.  If it hadn’t been for that other thing (Veeck) it never would have come to this.”  After the 1957 season, O’Malley moved the Dodgers from Brooklyn to Los Angeles.

Milwaukee County Municipal Stadium, initially constructed for the Brewers, became the Braves’ new home.  Meanwhile, Perini paid the American Association $50,000 for compensation in moving the Brewers from Milwaukee to Toledo, where the team changed its name to Mud Hens.

Braves field became the habitat for ghosts of Boston baseball milestones, including the 1914 “Miracle Braves,” a brief name change to Bees in the 1930s, and Babe Ruth hitting his last three home runs in one game.  A 2012 article by Patrick L. Kennedy on Boston University’s web site states that BU purchased the property for $430,000 in 1953; it was the home stadium for the AFL’s Boston Patriots from 1960 to 1962.  Renamed Nickerson Field, the facility hosts the BU men’s and women’s varsity soccer and lacrosse teams.  While the right field pavilion endures for Nickerson’s seating, Kennedy explains that BU demolished the grandstands and the left field pavilion—three dormitories and Walter Brown Arena occupy the space.  Additionally, the university’s police department inhabits the gatehouse and the Braves front office.

After the 1965 season, the Braves abdicated Milwaukee for Atlanta.

A version of this article appeared on www.thesportspost.com on March 18, 2016.