Posts Tagged ‘St. Elsewhere’

Bay City Blues

Monday, January 9th, 2017

Five years before Ron Shelton turned his script for Bull Durham into his directorial dbut, NBC aired Bay City Blues, which introduced millions of people to the pleasures, idiosyncrasies, and slightly desperate aura surrounding the minor leagues.  NBC’s prime time lineup began the 1983-84 television season with several shows that looked promising, but quickly fell to cancellation, e.g., BooneMr. SmithManimal.  As well, Bay City Blues struck out.

NBC brought Bay City Blues to prime time in the wake of an abundance of critical acclaim surrounding its groundbreaking police drama Hill Street Blues and medical drama St. Elsewhereboth produced by MTM Enterprises.  Television critic Howard Rosenberg of the Los Angeles Times wrote, “‘Bay City Blues’ applies the ‘Hill Street’ formulaan ensemble cast of eccentric characters bouncing their troubles off a firm but sensitive and understanding father figureto a new set of engaging circumstances.”

Bay City Blues revolved around the Bay City Bluebirds, a Double-A team in northern California.  Steven Bochco and Jeffrey Lewis created the show; Hill Street Blues was another Bochco co-creation, hence the parallel described by Rosenberg and other critics.  With the minor leagues serving as a limbo of dreams from which the Bluebirds seek a reprieve, Bay City Blues showcased future stars:  Sharon Stone’s legs launched a thousand sexual fantasies in Basic Instinct; Ken Olin represented the angst of baby boomers in thirtysomething; Michele Green transitioned from mousy to mighty as an attorney in L.A. Law; Mykelti Williamson befriended Tom Hanks as Bubba and Forrest respectively, in Forrest Gump; and Michael Nouri built an outstanding career as a character actor.

In New York magazine, John Leonard wrote, “When Bay City roots for its Bluebirds, it is rooting for youth and heroism, the lucky break, a last chance, grace under pressure, justice, and nostalgia.  Baseball, at least for the man-child in this promised land, is so American Dreamy because it’s so helplessly nostalgic.  Before we die, we want to steal second base.  This game, in theory, could go on forever.”

Fantasies of a better life comprise a cornerstone of the minor leagues portrayed in popular culture.  Cecil “Stud” Cantrell mourns the lost opportunity to compete with Stan Musial for a spot on the Cardinals when he suffered in injuries in World War II preventing him from going further than the Tampico Stogies in the novel Long Gone and the eponymous tv-movie.  Crash Davis embodies grace at home plate while he mentors a deeply talented but crucially ignorant pitcher pitcher in Bull Durham.  Hal Hinson of the Washington Post wrote, “What [Bull Durham] has is flavor, reality, a sense that the game is played by actual people, boys mostly, and not heroes.”  Pastime explored a similar mentor-mentee paradigm.

Built in the San Fernando Valley for Bay City Blues, Bluebird Field also appeared in the 1985 movie Brewster’s Millions.  In 1989, the Los Angeles Department of Water and Power tore down the field, which also served Mission College and Village Christian High School.

NBC dropped Bay City Blues from its prime time lineup after four episodes aired.

A version of this article appeared on wwwthesportspost.com on November 15, 2015.

The Shows That Changed Television

Sunday, November 1st, 2015

RemingtonTelevision’s progress as a creative medium began, arguably, with I Love Lucy, starring Lucille Ball and Desi Arnaz.  When the television series about a ditzy redhead married to a Cuban bandleader premiered on CBS in 1951, it introduced the three-camera format with different sets on a soundstage.

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The Doctors Are In

Wednesday, September 30th, 2015

RemingtonWhen City Hospital premiered in 1952, it set off the medical genre for prime time television.  Naturally, shows about medical implications offer drama that, in the right hands, captivate audiences.

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A Funny Thing Happened on the Way to Pelham

Tuesday, September 29th, 2015

RemingtonHollywood’s 2009 remake of the 1970s classic movie The Taking of Pelham 123 starred three actors who got their big breaks on the small screen.

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Visitors at the 4077th

Sunday, July 12th, 2015

RemingtonM*A*S*H was a powerhouse show for CBS from 1972 to 1983, depicting the adventures of the fictional Mobile Army Surgical Hospital 4077 staff during the Korean War.  Guest stars populated M*A*S*H, later becoming fixtures of other CBS shows.

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My Favorite Things

Tuesday, June 23rd, 2015

RemingtonGreg Brady getting selected to be the next “Johnny Bravo” because he “fit the suit” on The Brady Bunch.

Jimmy McNulty on The Wire.

Any Seinfeld episode involving Frank Constanza or David Puddy.

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The Reign of Brandon Tartikoff

Saturday, June 13th, 2015

RemingtonBrandon Tartikoff saw the best of times and the worst of times during his reign as the programming chief for NBC in the 1980s.

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The Peacock Becomes a Phoenix

Sunday, May 17th, 2015

RemingtonIn the 1980s, NBC’s peacock rose like a phoenix after startling programming disasters, including Pink Lady and JeffSupertrain, and the departure of the original Not Ready for Prime Time cast of Saturday Night Live.  Under programming guru Brandon Tartikoff and his lieutenants, Warren Littlefield and Jeff Sagansky, NBC achieved prominence, success, and distinction.

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The Height Plight of Warren Coolidge

Friday, April 17th, 2015

RemingtonA lesson about being thankful for individuality is embodied in BMOC, an episode of The White Shadow.  The episode’s title is, of course, an acronym for the phrase Big Man on Campus.  It accurately describes Warren Coolidge, the star center for the Carver High School basketball team, the focus of The White Shadow, a CBS show that aired in prime time from 1978 to 1981.  The White Shadow revolved around a white ex-NBA player coaching a team composed of minorities.

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Double Dribble: The Story of “The White Shadow” (Part 2 of 5)

Tuesday, January 7th, 2014

When Ken Reeves arrives at George Washington Carver High School, he is about as welcome as a cat at a mouse convention.  The basketball team doesn’t like him.  The Vice Principal doesn’t like him.  And Reeves doesn’t know how to gain the trust of either.

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