Posts Tagged ‘World Series’

The Hall of Fame Case for Doc Adams

Saturday, April 29th, 2017

Victory, it is said, has a thousand fathers.  Baseball, too.

Daniel Lucius “Doc” Adams is, for reasons passing understanding, without tangible recognition in Cooperstown, despite being a highly significant contributor to baseball’s genesis.  It is not an uncommon tale, of course.  The specter of Gil Hodges, an evergreen topic for debate about Hall of fame inclusion, stands on the sidelines of 25 Main Street as thousands trek yearly to this bucolic village in upstate New York, pay homage to baseball’s icons, and gander at plaques honoring Jackie Robinson, Pee Wee Reese, and several other boys of summer.  This, regardless of membership on seven consecutive National League All-Star teams, seven consecutive years of 100 or more RBI, and a managerial career noted for turning around the woes of the New York Mets—his efforts culminated in the 1969 World Series championship.

Charles Ebbets, the Brooklyn Dodgers owner who conceived Ebbets Field—and sacrificed half his ownership to finance the ballpark—does not have a plaque at the Hall of Fame.  Quincy Trouppe, a standout from the Negro Leagues, often occupies a spot in Hall of Fame debates.

Adams’s denial, to date, contrasts the honor given to some of his 19th century brethren.  In his 2011 book Baseball in the Garden of Eden:  The Secret History of the Early Game, John Thorn, Major League Baseball’s Official Historian, wrote that the Mills Commission’s report, which, inaccurately, credited Abner Doubleday with a primary role in baseball’s creation, failed to highlight “William Rufus Wheaton or Daniel Lucius Adams, recently revealed to be larger figures in baseball’s factual beginnings than either [Alexander] Cartwright or Doubleday.”

Adams has been “recently revealed to be larger figures in baseball’s factual beginnings than either [Alexander] Cartwright or [Abner] Doubleday.”

Indeed, Adams’s role in baseball’s ur-phase, emerging through the dedication of Thorn and other baseball archaeologists, remained, until the latter part of the 20th century, mostly obscured by Cartwright’s vaunted position as the father of the National Pastime and the legend, long since debunked as myth, that Doubleday designed the game’s blueprint.

It was Adams, however, who set the 90-foot length between bases.

It was Adams, however, who helped shape baseball’s rules as president of the Knickerbockers, a team with historical prestige for playing in what was, seemingly, if not concretely, the first organized baseball game—it took place in Hoboken in 1846.

It was Adams, however, who set the number of players at nine.

It was Adams, however, who conceived of a game lasting nine innings.

Teetering on the edge of Cooperstown, Adams is becoming decreasingly enigmatic and increasingly valuable in determining baseball’s genesis, evolution, and governance.  In 2015, the Hall of Fame’s Pre-Integration Committee disclosed that Adams received 10 votes of 16—two votes short of the 12 needed for membership; the Society for American Baseball Research Overlooked 19th Century Base Ball Legends Committee named Adams its 2014 legend.

Adams’s effect manifested in a 2016 auction for his handwritten “Laws of Base Ball,” which SCP Auctiosn sold for $3.26 million.

A version of this article appeared on www.thesportspost.com on January 3, 2017.

Don Drysdale: Once a Bum, Almost a Pirate

Friday, April 28th, 2017

Imagining Don Drysdale playing for a team other than the Dodgers is like imagining Hershey’s making products without chocolate.  Drysdale, he of the cannon disguised as a right arm firing baseballs through National League lineups in the 1950s and the 1960s, spent his career as a Dodger—first in Brooklyn, later in Los Angeles, where he grew up on the San Fernando Valley.  But the communal aura of Ebbets Field and the sun-soaked environs of Chavez Ravine might never have been blessed with Drysdale had Branch Rickey’s brethren signed him in Pittsburgh; Rickey served as the Pirates GM after notching four World Series titles for the Cardinals and leading baseball’s integration by signing Jackie Robinson to a contract with the Dodgers organization.

Rickey’s 1954 scouting report on Drysdale—nestled in the pitcher’ file at the National Baseball Hall of Fame and Museum in Cooperstown—indicated prescience bordering on psychic.  The 18-year-old Drysdale impressed Rickey with his fast ball and his curve ball, both of which “needs no coaching.”  Rickey also expressed confidence that Drysdale could take down the speed on his change-up.  In short, Drysdale was “a definite prospect” with “an unusual amount of perfection.”

As a comparison, Rickey mentioned Don Dangleis, a minor league hurler who never made it out of the Pittsburgh farm system; Drysdale had faster pitches but Dangleis was more well-rounded.  The sticking point for Rickey was money, as is often the case with a team’s front office—Rickey wanted to keep Drysdale’s salary at a maximum of $4,000.  Although Rickey acknowledged that Drysdale was worth “whatever it takes,” he wanted to avoid singing Drysdale under a “bonus baby” rule, which mandated an immediate vault to a major league tenure of at least two years for a salary exceeding $4,000.  It was a tempting option establishing a new financial plateau for the player and eliminate a stopover in the minor leagues.  If a “bonus baby” needed seasoning before going to “the show,” however, the then the rule could be a detriment.

In his 1990 autobiography Once a Bum, Always a Dodger, Drysdale revealed that Rickey actually offered $6,000 while proclaiming an evasion of the rule’s tentacles without disclosing his methods to the pitcher or his dad, Scott, an ex-minor leaguer advising the young pitcher on what came to be a joyous choice for fans of the Dodgers.  There were other options—Drysdale received pitches—no pun intended—from the White Sox, the Yankees, and the Braves.  Drysdale’s father offered a view based in value.  “Look, if you’re going to get a lot of money—like Billy Consolo, a $60,000 bonus baby—then it makes sense to take it and go to the major leagues and take your chances,” recalled Drysdale of his father’s opining.  “But if you’re not going to get a lot of money—and $2,000 isn’t a lot of money—then why not go where you have the best chance to learn?”

And so, the definite prospect from Van Nuys, California joined the Dodgers farm system.  Drysdale remembered that he signed in “the first week of June 1954” but Rickey’s scouting report was dated June 15th.  Either Drysdale’s memory was incorrect or Rickey was unaware of the signing.  The latter is a reach, considering Rickey’s legendary attention to detail.  At the bottom of Rickey’s missive is a handwritten postscript:  “Signed with Brooklyn.  Father is a bird dog for them.”

Drysdale played for the Bakersfield Indians, a Class C team in the California State League for the 1954 season; he went 8-5, then played for Montreal in 1955, where he compiled an 11-11 record.  On April 23, 1956, Drysdale made his first appearance with Brooklyn, unleashing the supremacy with which he taught master classes in intimidation, control, and reliability throughout his major league career, which ended in 1969.  In this game against the Phillies, Drysdale struck out the first three batters, notched nine strikeouts for the day, and showed “big league poise,” according to United Press, when he got out of a bases loaded jam in the second inning by inducing Murry Dickson to fly out.

Drysdale found a home in Brooklyn before voyaging back to the Los Angeles sunshine when the Dodgers left Brooklyn after the 1957 season.  “There was an intimacy about Ebbets Field that you don’t forget,” wrote Drysdale.  “If you are a starting pitcher, you warmed up in front of the dugout before the game, not in the bullpen.  You felt as though the fans were right on top of you, because they almost were.  It was a carnival atmosphere, small and always jumping.”

Rickey’s analysis of Drysdale proved correct:

  • 1962 National League Cy Young Award
  • Led the major leagues in strikeouts three times
  • 2,486 career strikeouts
  • Led the major leagues in games started for four consecutive years
  • Led the major league in innings pitched twice
  • Inducted into the Hall of Fame in 1984

 

A version of this article appeared on www.thesportspost.com on December 16, 2016.

Ed Walsh, the White Sox, and Comiskey Park’s First Game

Tuesday, April 25th, 2017

Chicago welcomed an addition to its iconography on July 1, 1910.  Comiskey Park, that structure serving as a second home for baseball fans on the Windy City’s south side, débuted in an era of new stadia—Fenway Park in 1912, Ebbets Field in 1913, Weeghman Park (later rechristened Wrigley Field) in 1914.

It was about time that White Sox fans received a reward for their dedication to the team, according to I. E. Sanborn of the Chicago Tribune.  “For years the loyal rooters who have done so much to make this the greatest baseball city in the world have contented themselves as uncomplainingly as they could with accommodations inadequate to their needs while watching the fans of other and smaller cities rewarded, with far less reason, by modern steel and concrete edifices, each designed to surpass all its predecessors,” wrote Sanborn.

The White Sox opened this epoch of its history with a 2-0 loss to the St. Louis Browns.  Sanborn estimated the crowd at 28,000.

Comiskey Park saw one World Series champion team—the White Sox beat the Giants in 1917.  There were two other opportunities:  1919 and 1959.  The former, of course, has an ominous aura because of the “Black Sox” scandal that resulted in eight players being kicked out of baseball with the force of a sonic boom, otherwise known as Kenesaw Mountain Landis, baseball’s newly minted commissioner and a former federal judge.

Accused of purposed losing the World Series to the Cincinnati Reds in exchange for payoffs from gamblers, the eight players were acquitted in court.  Landis argued that the integrity of the game superseded the legal process result.

In 1959, the “Go Go Sox” compiled a 94-60 record to stand atop the American League.  The Dodgers defeated the White Sox in six games; it was the National League champions’ second year in Los Angeles.

What began in 1910 lasted 80 years—Comiskey Park finished its service as the home of the White Sox in 1990.  It was demolished the next year, which saw U.S. Cellular Filed become the team’s new site.

Ed Walsh got the loss for Comiskey Park’s opener, went 18-20 for the season, and led the American League in losses.  His career statistics earned him a place in White Sox lore:

  • 1.82 Earned Run Average
  • Led American League in Earned Run Average
    • 1.60 in 1907
    • 1.27 in 1910 (led major leagues)
  • Led major leagues in wins
    • 40-15 in 1908
  • Led major leagues in games started
    • 46 in 1907
    • 49 in 1908
    • 41 in 1912
  • Led major leagues in complete games
    • 37 in 1907
    • 42 in 1908
  • Led American League in shutouts
    • 10 in 1906 (led major leagues)
    • 11 in 1908 (led major leagues)
    • 8 in 1909
  • Led American League in strikeouts
    • 269 in 1908
    • 255 in 1911
  • 195-126 career win-loss record

The Baseball Hall of Fame inducted Walsh in 1946.

A version of this article appeared on www.thesportspost.com on October 26, 2016.

Age Is Just a Number: Luke Appling and the 1982 Cracker Jack Old Timers Baseball Classic

Sunday, April 23rd, 2017

It was a moment of nostalgia, surprise, and joy.  More than 30 years after hanging up his spikes, Luke Appling went yard at the age of 75 in the 1982 Cracker Jack Old Timers Baseball Classic at RFK Stadium in Washington, D.C.

Far from a power hitter, Luke Appling bashed 45 home runs in his career, which was one of, as Wee Willie Keeler said, hitting them where they ain’t.  Appling fell shy of the magic mark of 3,000 hits, ending his career with 2,749 hits, including:

  • 440 doubles
  • 102 triples

He played his entire career in a White Sox uniform—1930 to 1950.

The Cracker Jack game was a shot of adrenaline to baseball fans suffering the psychic wounds created by the previous year’s strike, which shortened the 1981 baseball season.  Appling’s home run off Warren Spahn washed away, if only for a jiffy, the festering stench of despair felt across the fan spectrum, from Tee-ball players first learning the basics to senior citizens reminiscing about ballparks that no longer exist.

Appling was the oldest player in the Cracker Jack game, which ended with the American League beating the National League 7-2.

Nearly 30,000 fans poured into RFK on July 19, 1982 to watch baseball’s heroes of days gone by.  Though the ex-players wore the uniforms so familiar to baseball fans, their appearances showed the slights of age.  A little grayer.  A touch heavier.  A bit slower.  None of that mattered.  Old Timers games are affairs of the heart.  Baseball is, after all, a sentimental game, at once wistful and exciting.

Appling’s homer punctuated the pleasure at seeing a game where icons, though far from their prime, can recapture the feeling that anything is possible.

Bobby Thomson proved it when he knocked a Ralph Branch pitch over the left field fence at the Polo Grounds to win the 1951 National League pennant for the New York Giants.

The 1969 Mets proved it when they beat the favored Baltimore Orioles to win the World Series.

Cal Ripken, Jr. proved it when he broke Lou Gehrig’s streak of consecutive games played.

A .310 career hitter, Appling suffered injuries that came faster than a street hustler moving the cards in Three Card Monte.  “Old Aches and Pains” became his moniker.  Inducted into the Baseball Hall of Fame in 1964, Appling’s career achievements were:

  • 528 strikeouts
  • 1,302 walks
  • .399 On-base percentage
  • Led major leagues with a .388 batting average in 1936 (Lou Gehrig eclipsed Appling in the voting for the American League Most Valuable Player Award)
  • Led American League with a .328 batting average and a .419 On-base percentage in 1943

On the morning of the Cracker Jack game, in a harbinger of the home run, an Appling quote appeared in Denis Collins’s article “Old Timers:  Memories Are as Strong as Ever” for the Washington Post:  “I can still slap the ball around here and there.”

Indeed.

A version of this article appeared on www.thesportspost.com on October 20, 2016.

The Year the Yankees Won the Tonys

Saturday, April 22nd, 2017

In 1956, Mickey Mantle won the American League Triple Crown, Don Larsen pitched a perfect game in the World Series, and Whitey Ford led the major leagues in Earned Run Average.  It was also the year of another World Series championship for the Bronx Bombers, further emphasizing the team’s dominance in the 20-year period after World War II.

The Yankees represented a source of drama beyond ballparks in 1956—Damn Yankees, based on Douglas Wallop’s novel The Year the Yankees Lost the Pennant, got a plethora of recognition in the form of Tony Awards for:

  • Best Musical
  • Best Performance by a Leading Actor in a Musical (Ray Walston)
  • Best Performance by a Leading Actress in a Musical (Gwen Verdon)
  • Best Performance by a Featured Actor in a Musical (Russ Brown)
  • Best Conductor and Musical Director (Hal Hastings)
  • Best Choreography (Bob Fosse)
  • Best Stage Technician (Harry Green)

Damn Yankees also got a nomination for Best Performance by a Featured Actress in a Musical (Rae Allen).

Ray Walston played the Devil, also known as Applegate, in Damn Yankees. Convincing a hapless Washington Senators fan to sell his soul for the chance to lead the Senators to baseball glory made Applegate an epic character in popular culture.  “Mr. Walston was satanic with a wry twist, underplaying a role that could have become villainous and singing wistfully about death and destruction in ‘Those Were the Good Old Days,'” wrote Mel Gussow in his 2001 obituary of Walston for the New York Times.  Lewis Funke praised Walston in his analysis of Damn Yankees when the show débuted in 1955:  “Authoritative and persuasive, he does not overdo a role that easily could become irritating in less expert hands.”

Gwen Verdon was a theater touchstone, winning four Tony Awards in her career.  Married to legendary choreographer Bob Fosse, Vernon had abundant work as a guest star on television, including roles on WebsterGimme a Break!M*A*S*HFameDream OnThe Equalizer, and Touched by an Angel.  Verdon’s body of work in movies includes The Cotton Club and Cocoon.

Los Angeles Times Theater Writer Don Shirley quoted Times dance critic Lewis Segal in his 2000 obituary of the dancer:  “Verdon was to Broadway dance what Ethel Merman was to Broadway song; an archetypal personality whose talents inspired the best from those who created works for her.  More than anyone, Fosse continually mined her saucy yet vulnerable stage persona for new facets, using her as a living anthology of show-dance style.”

Shirley wrote, “Her dancing was characterized by her ability to make the most intricate technical choreography look spontaneous and almost carefree.”

Walston and Vernon reprised their roles for the 1958 movie version of Damn Yankees.  Tab Hunter took on the role of Joe Hardy, a standout with the Senators, thanks to the machinations of Applegate.  Stephen Douglass played the role on Broadway.

A version of this article appeared on www.thesportspost.com on October 18, 2016.

What if…

Friday, April 21st, 2017

What if…

Charlie Finley hadn’t broken up the 1970s Oakland A’s dynasty?

Bob Uecker hadn’t appeared in Major League?

there was no Designated Hitter position?

the Mets had never traded Nolan Ryan to the Angels?

Yogi Berra had played for the Brooklyn Dodgers?

George Steinbrenner had never bought the Yankees?

the Dodgers had never moved from Brooklyn?

the Giants had moved to Minneapolis instead of San Francisco?

the Red Sox had never sold Babe Ruth to the Yankees?

Walter O’Malley had never owned the Brooklyn Dodgers?

the Red Sox had integrated in 1949 instead of 1959?

Satchel Paige had pitched against Babe Ruth, Jimmie Foxx, and other Hall of Famers in their prime?

Bob Feller and Ted Williams had never lost years to military service in World War II?

Mickey Mantle hadn’t blown out his knee in the 1951 World Series?

Bobby Thomson had struck out against Ralph Branch?

Commissioner William Eckert had never invalidated Tom Seaver’s contract with the Atlanta Braves?

Major League Baseball banned synthetic grass?

the Mets had never traded Tom Seaver to the Reds?

Reggie Jackson had never played for the Yankees?

Thurman Munson hadn’t died in a plane crash?

Mickey Mantle had stayed healthy in the home stretch of 1961?

The Natural had ended the same was as the eponymous novel?

the Indians hadn’t traded Chris Chambliss, Dennis Eckersley, Buddy Bell, and Graig Nettles?

the Braves hadn’t never left Boston for Milwaukee?

the first incarnation of the Washington Senators hadn’t left for Minnesota to become the Twins?

the second incarnation of the Washington Senators hadn’t left for Texas to become the Rangers?

the Seattle Pilots hadn’t left for Milwaukee to become the Brewers?

Jim Bouton hadn’t written Ball Four?

Roger Kahn hadn’t written The Boys of Summer?

Mark Harris hadn’t written Bang the Drum Slowly?

Jackie Robinson had sought a football career instead of a baseball career?

Billy Martin hadn’t managed the Yankees in the late 1970s?

Gil Hodges hadn’t died in 1972, during a high point in the history of the Mets?

Vin Scully had stayed in New York City and announced for the Yankees or the Mets?

Bob Feller had pitched for the Yankees?

Ted Williams had played for the Yankees?

Joe DiMaggio had played for the Red Sox?

Charles Ebbets hadn’t owned the Brooklyn Dodgers?

Honolulu had a Major League Baseball team?

Pete Rose were elected to the Baseball Hall of Fame?

the commissioner’s office rescinded the lifetime banishment of the 1919 Black Sox from Major League Baseball?

Hank Aaron had played in the same outfield as Willie Mays?

Wiffle Ball hadn’t been invented?

Nashville had a Major League Baseball team?

Dwight Goodman and Darryl Strawberry had stayed away from drugs?

Roberto Clemente had played for the Dodgers instead of the Pirates?

A version of this article appeared on www.thesportspost.com on October 17, 2016.

Strat-O-Matic Hall of Fame Game: 19th Century vs. Yankees

Thursday, April 20th, 2017

In a Strat-O-Matic matchup between 19th century and Yankee ballplayers, the latter emerged with a victory blessed by power—the Yankees smacked four home runs against John Clarkson and the 19th century squad in their 7-1 win.  Babe Ruth and Mickey Mantle went yard back-to-back with solo home runs in the sixth inning; the other round trippers came off the bats of Joe Gordon and Yogi Berra.

To qualify for the teams, a player had to play at least five years for each classification—in the 19th century or with the Yankees.  The lineups were:

Yankees

  • Phil Rizzuto, Shortstop
  • Joe Gordon, Second Base
  • Lou Gehrig, First Base
  • Babe Ruth, Left Field
  • Mickey Mantle, Center Field
  • Reggie Jackson, Right Field
  • Wade Boggs, Third Base
  • Yogi Berra, Catcher
  • Jack Chesbro, Pitcher

19th Century

  • Bid McPhee, Second Base
  • Ed Delahanty, Left Field
  • Buck Ewing, Catcher
  • Hugh Duffy, Center Field
  • Dan Brothers, First Base
  • Hughie Jennings, Shortstop
  • King Kelly, Right Field
  • Jimmy Collins, Third Base
  • John Clarkson, Pitcher

Bid McPhee scored the only run for the 19th century players when Ed Delahanty doubled him home in the eighth inning.  McPhee’s Hall of Fame plaque notes career statistics:

  • .982 fielding average
  • 2,250 hits
  • Scored at least 100 runs 10 times.

Also highlighted are McPhee’s intangible qualities:  “Known for his sober disposition and exemplary sportsmanship.”

Clarkson notched five strikeouts of the Yankees:

  • Lou Gehrig (twice)
  • Jack Chesbro (twice)
  • Reggie Jackson (once)

A masterful hurler, Clarkson compiled a 328-178 win-loss record in his 19th century major league career.  In 1885 and 1889, he led the major leagues in victories with 53 and 49, respectively; Clarkson notched 38 victories to lead the American League in 1887.

Gordon went 2-for-5 on the day, his other hit being a single in the ninth inning.  In an 11-year career, Gordon made the American League All-Star team nine times.

Chesbro limited the 19th century batsmen to six hits.  Beginning his career with the Pirates in 1899, Chesbro spent four seasons in Pittsburgh before emigrating to the Yankees.  In 1904, he led the majors with 41 victories.  Finishing his career after the 1909 season, Chesbro’s career 198-132 win-loss record amounted to a winning percentage of .600.

King Kelly, a threat at home plate even if he were blindfolded, played for the Reds, the Cubs, the Beaneaters, and the Giants, in addition to the Boston Reds in the Players League’s only season—1890—and Cincinnati Kelly’s Killers the following year.  Kelly’s career spanned from 1878 to 1893.  Inducted into the Hall of Fame in 1945, Kelly’s career statistics include:

  • .308 batting average
  • 359 doubles
  • 418 strikeouts
  • 6,455 plate appearances

Reggie Jackson played for four teams in his Hall of Fame career:

  • A’s
  • Orioles
  • Yankees
  • Angels

During his five-year tenure with the Yankees, he played in three World Series, won two rings, and solidified a place in Yankee iconography when he smacked three home runs in one game in the 1977 World Series.

A version of this article appeared on www.thesportspost.com on October 16, 2016.

Kyle Chandler, Kelly Rutherford, and “Homefront”

Sunday, April 16th, 2017

Before he received tomorrow’s newspaper today in Early Edition, before he coached the Dillon Panthers in Friday Night Lights, and before working for the Monroe County (Florida) Sheriff’s Office in Bloodline, Kyle Chandler portrayed the All-American archetype Jeff Metcalf from the fictional River Run, Ohio on Homefront.

Airing on ABC from 1991 to 1993, Homefront boasted an ensemble cast portraying life in a Midwestern town after World War II.  It harkened back to the 1946 movie The Best Years of Our Lives, which revolved around soldiers returning from World War II to their fictional hometown, also in Ohio—Boone City.

Jeff played for the Cleveland Indians.  During 1946 spring training, he meets the older and wiser Judy Owen, a bartender played by the lovely Kelly Rutherford, who has aged about 25 minutes in the 25 years since Homefront premiered; Rutherford’s body of work on television includes Melrose PlaceThe DistrictThreat MatrixGossip GirlNash BridgesThe Mysteries of Laura, and The Adventures of Brisco County, Jr.

Rutherford’s worldly Judy and Chandler’s naïve Jeff, whom she nicknames Buckeye, after his home state, have a passionate connection.  Though it’s not consummated, the arc toward fulfillment is clear as a sunny day at Jacobs Field when she says, “I said I had to lock up.  I didn’t necessarily mean lock up after you’re gone.”

It threatens Jeff’s relationship with his fiancée, Ginger, a budding radio star—she discovers them in Jeff’s room, albeit fully clothed.  Ultimately, Jeff and Ginger wind up with each other, a knee injury forces Jeff out of baseball, and Judy moves to River Run, where she has an affair with the wealthy Mike Sloan, who is roughly a generation older.  Jeff rebounds from the knee problem to earn a place in the Indians’ minor league system.

Homefront aired for two seasons, depicting the life and times of the folks from River Run in the years 1945 to 1947.  This, of course, leads to question marks hovering over Jeff’s character:  Would he have played on the Indians’ World Series championship team in 1948?  How would Larry Doby, who made his début as the first black player in the American League, have affected—or ignited—Jeff’s view of racism?  How would River Run be affected by the introduction of television as a mass medium, thanks to Texaco Star Theatre premiering in 1948, with Master of Ceremonies Milton Berle as the first television star?

Rutherford symbolizes a throwback to the decade when Humphrey Bogart played a casino owner in Casablanca, Spencer Tracy played a fictional presidential candidate in State of the Union, and Fred MacMurray’s insurance agent conspired with Barbara Stanwyck’s femme fatale to kill her husband for money in his life insurance police in Double Indemnity.  Movies from that era appeal to Rutherford.  “Every once in a while, I need to have my fix,” said Rutherford in an interview with Susan King of the Los Angeles Times in 1994.  “I think it’s mainly when I need inspiration I look at the old pictures.  I don’t find it as much in the new stuff.  I love Carole Lombard.  I think she’s wonderful.  Gloria Grahame was really great.  Garbo.  Dietrich.  People knew how to create an illusion.  Now everything is very realistic and straightforward.  Everyone’s grunge.”

Chandler, too, enjoys an affinity for the classics.  In a 1993 article for the Cincinnati Enquirer, Chandler told Enquirer scribe John Kiesewetter about growing up outside Atlanta on a family farm, where Ted Turner’s television station WTBS aired the work of Bogart et al.  “Cary Grant, Jimmy Stewart, Clark Gable—there was a whole world there from the ’40s that I grew up watching.  It opened up that world to play with inside my head, and it was one of the main things that made me interested in acting.”

A version of this article appeared on www.thesportspost.com on October 6, 2016.

The Hall of Fame Case for Gene Autry

Saturday, April 15th, 2017

Gene Autry wore many hats, proverbially speaking, besides the cowboy dome piece in his movies:

  • Owner of Los Angeles television station KTLA from 1963 to 1982
  • Original singer of the Christmas standard Rudolph the Red-Nosed Reindeer
  • Army Air Corps officer and Air Transport Command pilot during World War II
  • Owner of Melody Ranch, a 110-acre site formerly known as Monogram Movie Ranch (bought in 1953, sold nearly 100 acres and used the remaining land for Western movies and television series)
  • Gene Autry’s Melody Ranch radio show
  • The Adventures of Champion radio show (about Autry’s horse Champion)
  • Radio stations
  • Television stations, in addition to KTLA
  • Rodeo
  • Record company

Baseball fans, however, knew Autry primarily as the man who planted a Major League Baseball flag in Orange County, California; Autry, once a part-owner of the Pacific Coast League’s Hollywood Stars, was the first owner of the California Angels ball club—originally named Los Angeles Angels—which had its first season in 1961.

Autry’s journey to ownership began, as financial successes often do, in the wake of disappointment.  When the Los Angeles Dodgers switched radio broadcasters from Autry’s KMPC to rival KFI in 1959, an opportunity emerged.  A new American League franchise in Los Angeles would be a ripe opportunity for KMPC, particularly because of its sports broadcasting pedigree.  A former ballplayer raised the ante.  “Joe Cronin had known Autry since Gene’s barnstorming rodeo days over two decades earlier.  Cronin, now president of baseball’s American League, wondered if Autry was ready to tame the Wild Wild West’s newest franchise in L.A.,” wrote Robert Goldman in the 2006 book Once They Were Angels.  “Autry jumped at the opportunity.  It was a perfect fit, as not only did Autry love baseball, but he also had an impeccable reputation as a businessman and a person of integrity.”

And so, the mogul who grew up dirt poor in Oklahoma pioneered American League baseball on the West Coast.

And yet, the icon born Orvon Grover Autry is not in the Baseball Hall of Fame.

Autry’s tenure as the Angels’ owner spanned decades, from the last days of the Eisenhower presidency to the first days of the Internet becoming a mainstream tool for information.  When Autry sold the Angels in 1996, he left a legacy difficult to match and easy to applaud.  His length of time made him a baseball fixture.  His integrity made him a model of comportment for businessmen.

Tom Yawkey is in the Hall of Fame, and rightfully so—he spearheaded the renovation of Fenway Park in the 1920s.

Walter O’Malley is in the Hall of Fame, which causes havoc in the hearts of Brooklynites, who see O’Malley as a betrayer for moving the Dodgers to Los Angeles.  His transit to Los Angeles after the 1957 season paved the way for Autry and other owners to establish teams west of St. Louis, theretofore the westernmost metropolis with a Major League Baseball team.

Barney Dreyfuss is in the Hall of Fame, a membership for the former Pirates owner resulting from many achievements, including being a proponent of the World Series; the Boston Americans and the Pittsburgh Pirates played in the first World Series in 1903.

Gene Autry is not in the Hall of Fame, despite his steadfast ownership.

Devotion to the fans stands out.  Not content to simply have a financial ledger in the black.  Autry poured “his vast millions on players who made the club a winner if not a world champion.  He attended his final Angels game only 10 days before he died,” wrote Myrna Oliver of the Los Angeles Times in Autry’s 1998 obituary.

In 1982, the Angels retired 26 as Autry’s number to reflect being the “26th Man” on the roster, which has a limit of 25 players.  It was a sign of respect that Autry also earned from owners, fans, stadium workers, players, and baseball executives across Major League Baseball.  Such is Autry’s emotional connection to Angel Nation that the phrase “Win One for the Cowboy” resonates from Angel Stadium to Aliso Viejo, from Santa Ana to San Juan Capistrano.

Cooperstown awaits.  Patiently.

A version of this article appeared on www.thesportspost.com on September 29, 2016.

The Hall of Fame Case for Lou Piniella

Monday, April 3rd, 2017

Lou Piniella is one of baseball’s greatest journeymen—a player with the Orioles, the Indians, the Royals, and the Yankees, in addition to stints as a manager with the Yankees, the Reds, the Mariners, the Devil Rays, and the Cubs.

Piniella’s achievements as a manager include winning a World Series championship, AL Manager of the Year twice, and NL Manager of the Year once.  With 1,835 career wins, Piniella is #14 on the all-time list—ahead of Hall of Fame managers Earl Weaver, Wilbert Robinson, Al Lopez, Miller Huggins, Tommy Lasorda, and Clark Griffith.  Also, Piniella managed the Mariners to an American League single-season record of 116 wins in 2001.

And yet, Piniella is not graced with a plaque in the Hall of Fame.  Why?  Surely, his managerial success indicates a career deserving of inclusion into the exclusive club in Cooperstown, located at 25 Main Street.  And that success emanated from determination.  Piniella managed as he played—with fierceness to win and reluctance to lose.

Yankee owner George Steinbrenner gave Piniella his first manager job.  Working for Steinbrenner came with legendary tension.  But in a 2002 article by Ira Berkow in the New York Times, Pinieall acknowledged the opportunity.  “I owe my managerial career to George,” said Piniella.  “He made me the manager and it was on-the-job training.  He saw something in me—I know he liked my intensity as a player—and he gave me a shot.”

“Intensity” to say the least.  Piniella had the resolve of a bull charging the matador.

For Yankee fans, Piniella was a fixture on the “Bronx Zoo” teams that brought three American League pennants and two World Series titles to Yankee Stadium in the late 1970s.  It was a volatile era, indeed.  When Reggie Jackson joined the Yankees before the 1977 season, Piniella knew a storm was brewing around the star player and manager Billy Martin that would have made the tornado from The Wizard of Oz look like a slight breeze.

“It was obviously going to be explosive,” said Piniella in Bill Pennington’s 2015 book Billy Martin: Baseball’s Flawed Genius.  “And Billy was right, it did cause problems with Thurman [Munson] and Craig [Nettles].  But at the same time, let’s face it, Reggie was never Billy’s kind of player.  I think Billy did resent him a little.  He didn’t like most guys who called attention to themselves.”

On June 16, 1984, Piniella played in his last game.  Naturally, he had the game-winning RBI.  Even though Piniella went 0-for-5 on the day, his efforts contributed value to the Yankees beating the Orioles 8-3—the crucial RBI came from a ground ball.

George Vecsey of the New York Times described Piniella’s psychological makeup in an account of the June 16th game.  “His temper kept him in the minor leagues for most of the 1960’s, but later that temper hardened into a fierce athletic pride.  Only rarely did the temper come through in New York—but when it did, the tantrum was a beauty.  Who will ever forget Piniella sitting on the grass, pounding his fists on the east, raging over being called out by Ron Luciano during the 1978 playoffs?”

Piniella won the American League Rookie of the Year Award in 1969, notching a .282 batting average, 139 hits, and 68 RBI for the Kansas City Royals.  “Sweet Lou” retired from playing during the 1984 season.  His career statistics include a .291 batting average, 1,705 hits, and 305 doubles.

A version of this article appeared on www.thesportspost.com on June 16, 2016.